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	<channel>
		<title>Old TIme Radio Suspense</title>
		<itunes:author>Humphrey/Camardella</itunes:author>
		<link>http://www.mevio.com/shows/?show=otrsuspense</link>
		<description><![CDATA[Taking you back to the early days of early radio with the best of Old Time Radio Suspense.]]></description>
		<itunes:subtitle>Best of Early Radio Suspense</itunes:subtitle>
		<itunes:summary>Taking you back to the early days of early radio with the best of Old Time Radio Suspense.</itunes:summary>
		<language>en</language>
		<copyright></copyright>
		<itunes:owner>
			<itunes:name>Humphrey/Camardella</itunes:name>
			<itunes:email>oldtimeradiosuspense@gmail.com</itunes:email>
		</itunes:owner>
		<image>
			<url>http://psstatic.podshow.com/images/shows/1408/shows/small/otrsuspensepodshowcom.jpg?a7803ce0dc2d2c72ffcd4c78327ba1bf</url>
			<title>Old TIme Radio Suspense</title>
			<link>http://www.mevio.com/shows/?show=otrsuspense</link>
		</image>
		<itunes:image href="http://psstatic.podshow.com/images/shows/1408/shows/med/otrsuspensepodshowcom.jpg?767d38b6cf574b28cd5009e1f0547151" />
		<category>Podcast</category>
		<itunes:explicit>no</itunes:explicit>
		<itunes:keywords>suspense,drama,theater,mystery</itunes:keywords>
		<lastBuildDate>Wed, 06 Aug 2008 20:04:46 -0700</lastBuildDate>
		<docs>http://blogs.law.harvard.edu/tech/rss</docs>
		<generator>PodShow PDN</generator>
		<managingEditor>oldtimeradiosuspense@gmail.com</managingEditor>
		<webMaster>webmaster@podshow.com</webMaster>
		
<itunes:category text="Kids &amp; Family" />
<itunes:category text="TV &amp; Film" />
<itunes:category text="Comedy" />
<itunes:category text="Arts">
	<itunes:category text="Performing Arts" />
</itunes:category>
<itunes:category text="Society &amp; Culture">
	<itunes:category text="History" />
</itunes:category>
		<item>
			<title>The Lineup  &quot;Candy Store Killing&quot; (11-16-50)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=121073&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>The Lineup </strong>is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Don’t be caught without this radio show in your collection!</font></p> <p><font face="times new roman,times" size="3"> <br /><strong>THIS EPISODE:</strong> <br />November 16, 1950. CBS network. Sustaining. Lieutenant Guthrie solves a robbery and murder case in a candy store, with a station wagon as a clue. Two brothers are the main suspects, but an eye-witness fails to identify either one of them William Johnstone, Wally Maher, Howard McNear, Raymond Burr, Jeanette Nolan, Sam Edwards, Jean Tatum, Clayton Post, Eddie Dunstedter (organist). 1/2 hour. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Lineup is a realistic police drama that gives radio audiences a
look behind the scenes at police headquarters. Bill Johnstone plays
Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns
(and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a
hot-tempered hot plate who is easily bored. The director and script
writer often rode with police on the job and sat in on the police
lineups to get ideas for The Lineup. They also read dozens of
newspapers daily and intermeshed real stories with those that they
used in the show. With Dragnet a smash hit, realism in police dramas
was popular at the time this show aired. Don’t be caught without
this radio show in your collection!

THIS EPISODE:
November 16, 1950. CBS network. Sustaining. Lieutenant Guthrie solves
a robbery and murder case in a candy store, with a station wagon as a
clue. Two brothers are the main suspects, but an eye-witness fails to
identify either one of them William Johnstone, Wally Maher, Howard
McNear, Raymond Burr, Jeanette Nolan, Sam Edwards, Jean Tatum, Clayton
Post, Eddie Dunstedter (organist). 1/2 hour.

</itunes:summary>
			<pubDate>Wed, 06 Aug 2008 19:59:04 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, Bill Johnstone, Blue Network, candy store, cbs, Clayton Post, comedy, Cop</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/121073/otrsuspense-121073-08-06-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/121073/otrsuspense-121073-08-06-2008.mp3" length="7254353" type="audio/mpeg" />
		</item>
		<item>
			<title>Cloak &amp;amp; Dagger  &quot;Operation Sellout&quot; (09-22-50)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=120874&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>Cloak and Dagger</strong> - &quot;Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?&quot; Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead. </font></p> <p><font face="times new roman,times" size="3"> <br /><strong>THIS EPISODE:</strong> <br />September 22, 1950. NBC network. &quot;<em><strong>Operation Sell-Out</strong></em>&quot;. Sustaining. 8:00 P. M. A two-man mission into occupied France to locate a German submarine base is turned into a three-man mission. The final promotional announcement and system cue have been deleted. Karl Weber, Ken Field (writer), Carl Eastman, Louise Erickson, Ian Martin, Luis Van Rooten, Arnold Moss, Jon Gart (music director), Alistair MacBain (creator), Raymond Edward Johnson, Manny Segal (sound effects), John Powers (sound effects), Don Abbott (engineer), Louis G. Cowan (producer), Alfred Hollander (producer), Sherman Marks (director, supervisor), Corey Ford (creator). 29:12.</font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	Cloak and Dagger - &quot;Are you willing to undertake a dangerous mission
for the United States, knowing in advance you may never return alive?&quot;
Cloak and Dagger first aired over the NBC network on May 7, 1950. It
had a short run through the Summer on Sundays, changing to Fridays
after its Summer run. The last show aired Oct. 22, 1950. This is the
story of the WWII special governmental agency, the OSS, or Office of
Strategic Services. Its mission was to develop and maintain spy
networks throughout Europe and into Asia, while giving aid to
underground partisan groups and developing espionage activities for
Allied forces overseas.The show is based on the book of the same name
by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated
with the OSS from its early days.) The dramas are not Hollywood-style,
in that they sometimes end with plans foiled or leading characters
dead. 

THIS EPISODE:
September 22, 1950. NBC network. &quot;Operation Sell-Out&quot;. Sustaining.
8:00 P. M. A two-man mission into occupied France to locate a German
submarine base is turned into a three-man mission. The final
promotional announcement and system cue have been deleted. Karl Weber,
Ken Field (writer), Carl Eastman, Louise Erickson, Ian Martin, Luis
Van Rooten, Arnold Moss, Jon Gart (music director), Alistair MacBain
(creator), Raymond Edward Johnson, Manny Segal (sound effects), John
Powers (sound effects), Don Abbott (engineer), Louis G. Cowan
(producer), Alfred Hollander (producer), Sherman Marks (director,
supervisor), Corey Ford (creator). 29:12.</itunes:summary>
			<pubDate>Mon, 04 Aug 2008 21:06:51 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, Alfred Hollander, Alistair MacBain, Arnold Moss, B.Camardella, Blue Network, Carl Eastman, cbs, Cloak and Dagger</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/120874/otrsuspense-120874-08-04-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/120874/otrsuspense-120874-08-04-2008.mp3" length="7170239" type="audio/mpeg" />
		</item>
		<item>
			<title>Murder By Experts  &quot;Threes A Crowd&quot; (05-22-50)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=120628&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>MURDER BY EXPERTS</strong> - (1949-51, Mutual) 130 30-minute episodes. Created by David Kogan. Writers: David Kogan Directors/Producers: David Kogan And Robert A. Arthur. Hosts: John Dickson Carr (June 13, 1949-March 13, 1950) and Brett Halliday (March 20, 1950-December 17, 1951). Sound Effects: Mario Siletti. Guest experts: Alfred Hitchcock, Craig Rice. Guest stars: Ann Shepard, Larry Haines, Carl Eastman, Ann Sheperd, Bill Zuckert, Ralph Camargo, Burt Cullen, Lawson Zerbe, Marilyn Erskin.</font></p> <p><font face="times new roman,times" size="3"><strong>THIS EPISODE:</strong> <br />May 25, 1950. Mutual network. &quot;<em><strong>Three's A Crowd</strong></em>&quot;. Sustaining. A young piano player becomes involved with a beautiful but evil woman. The system cue has been deleted. Brett Halliday (host, narrator), George Fass (writer), Gertrude Fass (writer), John Sylvester, Joyce Gordon. 29:31. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	MURDER BY EXPERTS - (1949-51, Mutual) 130 30-minute episodes.
Created by David Kogan. Writers: David Kogan Directors/Producers:
David Kogan And Robert A. Arthur. Hosts: John Dickson Carr (June 13,
1949-March 13, 1950) and Brett Halliday (March 20, 1950-December 17,
1951). Sound Effects: Mario Siletti. Guest experts: Alfred Hitchcock,
Craig Rice. Guest stars: Ann Shepard, Larry Haines, Carl Eastman, Ann
Sheperd, Bill Zuckert, Ralph Camargo, Burt Cullen, Lawson Zerbe,
Marilyn Erskin.

	THIS EPISODE:
May 25, 1950. Mutual network. &quot;Three's A Crowd&quot;. Sustaining. A young
piano player becomes involved with a beautiful but evil woman. The
system cue has been deleted. Brett Halliday (host, narrator), George
Fass (writer), Gertrude Fass (writer), John Sylvester, Joyce Gordon.
29:31.

</itunes:summary>
			<pubDate>Fri, 01 Aug 2008 18:26:09 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1949 to 1951, ABC, adventure, Alfred Hitchcock, Ann Shepard, Ann Sheperd, B.Camardella, Bill Zuckert, Blue Network, Brett Halliday</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/120628/otrsuspense-120628-08-01-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/120628/otrsuspense-120628-08-01-2008.mp3" length="7306598" type="audio/mpeg" />
		</item>
		<item>
			<title>The Devil &amp;amp; Mr. O  &quot;Three Thousand Dollars&quot; (01-21-72)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=120471&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>The Devil and Mr. O </strong>- A transcribed syndication of original broadcasts from Lights Out. With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed &quot;the ultimate in horror.&quot; Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, &quot;the most monstrous of all sounds, human flesh being eaten.&quot; Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician. Wyllis Cooper, who created, wrote, and produced it, was then a 36-year-old staffer in Chicago's NBC Studios. Cooper created his horror &quot;by raiding the larder.&quot; For the purposed of Lights Out sound effects, people were what they ate. The sound of a butcher knife rending a piece of uncooked pork was, when accompanied by shrieks and screams, the essence of murder to a listener alone at midnight. Real bones were broken - spareribs snapped with a pipe wrench. Bacon in a frypan gave a vivid impression of a body just electrocuted. And the cannibalism effect was actually a zealous actor. Gurgling and smacking his lips as he slurped up a bowl of spaghetti. Cabbages sounded like human heads when chopped open with a cleaver, and carrots had the pleasant resonance of fingers being lopped off. Arch Oboler's celebrated tale of a man turned inside-out by a demonic fog was accomplished by soaking a rubber glove in water and stripping it off at the microphone while a berry basket was curshed at the same instant. The listener saw none of this. The listener saw carnage and death. Cooper left the show in 1936 and Oboler was given the job. Oboler lost no time establishing himself as the new master of the macabre. Between May 1936 and July 1938, he wrote and directed more than 100 Lights Out plays. To follow Cooper was a challenge: he was &quot;the unsung pioneer of radio dramatic techniques,&quot; but Oboler had passed the test with his first play. His own name soon became synonymous with murder and gore, though horror as a genre had always left him cold. Oboler aspired to more serious writing.</font></p> <p><font face="times new roman,times" size="3">Show Notes From: <a href="http://otrr.org/">Old Time Radio Researcher's Group</a> <br /></font></p> <p><font face="times new roman,times" size="3"><strong>THIS EPISODE:</strong> <br />March 30, 1943. Program #19. CBS network origination, syndicated rebroadcast. &quot;Money, Money, Money&quot;. Commercials added locally. Tony the diver stops not at murder nor anything else for money. His last dive is most successful. Syndicated program name: &quot;Lights Out&quot; The story is also known as &quot;Three Thousand Dollars.&quot;Arch Oboler (writer, host). 25 minutes. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Devil and Mr. O - A transcribed syndication of original
broadcasts from Lights Out. With its premiere on the nationwide NBC
hookup in 1935, Lights Out was billed &quot;the ultimate in horror.&quot; Never
had such sounds been heard on the air. Heads rolled, bones were
crushed, people fell from great heights and splattered wetly on
pavement. There were garrotings, choking, heads split by cleavers,
and, to a critic at Radio Guide, &quot;the most monstrous of all sounds,
human flesh being eaten.&quot; Few shows had ever combined the talents of
actors and imaginative writers so well with the graphic art of the
sound technician. Wyllis Cooper, who created, wrote, and produced it,
was then a 36-year-old staffer in Chicago's NBC Studios. Cooper
created his horror &quot;by raiding the larder.&quot; For the purposed of Lights
Out sound effects, people were what they ate. The sound of a butcher
knife rending a piece of uncooked pork was, when accompanied by
shrieks and screams, the essence of murder to a listener alone at
midnight. Real bones were broken - spareribs snapped with a pipe
wrench. Bacon in a frypan gave a vivid impression of a body just
electrocuted. And the cannibalism effect was actually a zealous actor.
Gurgling and smacking his lips as he slurped up a bowl of spaghetti.
Cabbages sounded like human heads when chopped open with a cleaver,
and carrots had the pleasant resonance of fingers being lopped off.
Arch Oboler's celebrated tale of a man turned inside-out by a demonic
fog was accomplished by soaking a rubber glove in water and stripping
it off at the microphone while a berry basket was curshed at the same
instant. The listener saw none of this. The listener saw carnage and
death. Cooper left the show in 1936 and Oboler was given the job.
Oboler lost no time establishing himself as the new master of the
macabre. Between May 1936 and July 1938, he wrote and directed more
than 100 Lights Out plays. To follow Cooper was a challenge: he was
&quot;the unsung pioneer of radio dramatic techniques,&quot; but Oboler had
passed the test with his first play. His own name soon became
synonymous with murder and gore, though horror as a genre had always
left him cold. Oboler aspired to more serious writing.

	Show Notes From: Old Time Radio Researcher's Group [1]

	THIS EPISODE:
March 30, 1943. Program #19. CBS network origination, syndicated
rebroadcast. &quot;Money, Money, Money&quot;. Commercials added locally. Tony
the diver stops not at murder nor anything else for money. His last
dive is most successful. Syndicated program name: &quot;Lights Out&quot; The
story is also known as &quot;Three Thousand Dollars.&quot;Arch Oboler (writer,
host). 25 minutes.



Links:
------
[1] http://otrr.org/
</itunes:summary>
			<pubDate>Wed, 30 Jul 2008 20:16:51 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, Arch Oboler, B.Camardella, Blue Network, cbs, comedy, D.Humphrey, diver, drama</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/120471/otrsuspense-120471-07-30-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/120471/otrsuspense-120471-07-30-2008.mp3" length="6241144" type="audio/mpeg" />
		</item>
		<item>
			<title>The Shadow  &quot;House Of Fun&quot; (10-22-39)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=120217&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>The Shadow</strong> - One of the most popular radio shows in history debuted in August 1930 when &quot;The Shadow&quot; went on the air. &quot;Who knows what evil lurks in the hearts of men? The Shadow knows!&quot; The opening lines of the &quot;Detective Story&quot; program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that &quot;Detective Story&quot; was soon renamed &quot;The Shadow,&quot; and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to &quot;cloud men's minds.&quot; <br /> <br /><strong>THIS EPISODE:</strong> <br />October 22, 1939. Mutual network. &quot;<em><strong>House Of Fun</strong></em>&quot;. Commercials added locally. A carnival concession is a front for a kidnap ring and stock manipulation gang. William Johnstone, Ken Roberts (announcer), Jerry Devine (writer). 24:15.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Shadow - One of the most popular radio shows in history debuted in
August 1930 when &quot;The Shadow&quot; went on the air. &quot;Who knows what evil
lurks in the hearts of men? The Shadow knows!&quot; The opening lines of
the &quot;Detective Story&quot; program captivated listeners and are instantly
recognizable even today. Originally the narrator of the series of
macabre tales, the eerie voice known as The Shadow became so popular
to listeners that &quot;Detective Story&quot; was soon renamed &quot;The Shadow,&quot; and
the narrator became the star of the old-time mystery radio series,
which ran until 1954. A figure never seen, only heard, the Shadow was
an invincible crime fighter. He possessed many gifts which enabled him
to overcome any enemy. Besides his tremendous strength, he could defy
gravity, speak any language, unravel any code, and become invisible
with his famous ability to &quot;cloud men's minds.&quot;

THIS EPISODE:
October 22, 1939. Mutual network. &quot;House Of Fun&quot;. Commercials added
locally. A carnival concession is a front for a kidnap ring and stock
manipulation gang. William Johnstone, Ken Roberts (announcer), Jerry
Devine (writer). 24:15.</itunes:summary>
			<pubDate>Mon, 28 Jul 2008 19:54:43 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, Blue Network, Carnival Concession, cbs, cloud men&#039;s minds, comedy, Cop, crime</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/120217/otrsuspense-120217-07-28-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/120217/otrsuspense-120217-07-28-2008.mp3" length="6213112" type="audio/mpeg" />
		</item>
		<item>
			<title>The Lineup  &quot;Eddie Gaynor Framed For Murder&quot; (07-20-50)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=119915&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>The Lineup</strong> is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Don’t be caught without this radio show in your collection!</font></p> <p><font face="times new roman,times" size="3"> <br /><strong>THIS EPISODE:</strong> <br />July 20, 1950. CBS network. Sustaining. Eddie Gaynor has been framed for the murder of Johnny Taranto, and Eddie's no choir boy either! After Eddie is sprung on a writ, his body is found the next morning. Elliott Lewis (producer, director), Morton Fine (writer), David Friedkin (writer), William Johnstone, Wally Maher, Eddie Dunstedter (composer, conductor), Virginia Gregg, Howard McNear, Junius Matthews, Edgar Barrier, Tony Barrett, Paul Frees, Clayton Post. 29:39.  <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Lineup is a realistic police drama that gives radio audiences a
look behind the scenes at police headquarters. Bill Johnstone plays
Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns
(and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a
hot-tempered hot plate who is easily bored. The director and script
writer often rode with police on the job and sat in on the police
lineups to get ideas for The Lineup. They also read dozens of
newspapers daily and intermeshed real stories with those that they
used in the show. With Dragnet a smash hit, realism in police dramas
was popular at the time this show aired. Don’t be caught without
this radio show in your collection!

THIS EPISODE:
July 20, 1950. CBS network. Sustaining. Eddie Gaynor has been framed
for the murder of Johnny Taranto, and Eddie's no choir boy either!
After Eddie is sprung on a writ, his body is found the next morning.
Elliott Lewis (producer, director), Morton Fine (writer), David
Friedkin (writer), William Johnstone, Wally Maher, Eddie Dunstedter
(composer, conductor), Virginia Gregg, Howard McNear, Junius Matthews,
Edgar Barrier, Tony Barrett, Paul Frees, Clayton Post. 29:39. 

</itunes:summary>
			<pubDate>Fri, 25 Jul 2008 20:17:08 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1951 to 1953, ABC, adventure, B.Camardella, Bill Johnstone, Blue Network, cbs, Clayton Post, comedy, Cop</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/119915/otrsuspense-119915-07-25-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/119915/otrsuspense-119915-07-25-2008.mp3" length="7485113" type="audio/mpeg" />
		</item>
		<item>
			<title>The Whistler  &quot;The Alibi&quot; (10-25-42)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=119693&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>The Whistler</strong> was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer. <br /> <br /><strong>THIS EPISODE:</strong> <br />October 25, 1942. CBS network. &quot;<em><strong>The Alibi</strong></em>&quot;. Sustaining. A domineering old lady controls all those around her...several of whom have a good reason for doing her in. J. Donald Wilson (writer, director), Wilbur Hatch (composer, conductor), Herbert Connor (writer). 29:31</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Whistler was one of radio's most popular mystery dramas, with a
13-year run from May 16, 1942 until September 22, 1955. If it now
seems to have been influenced explicitly by The Shadow, The Whistler
was no less popular or credible with its listeners, the writing was
first class for its genre, and it added a slightly macabre element of
humor that sometimes went missing in The Shadow's longer-lived crime
stories. Writer-producer J. Donald Wilson established the tone of the
show during its first two years, and he was followed in 1944 by
producer-director George Allen. Other directors included Sterling
Tracy and Sherman Marks with final scripts by Joel Malone and Harold
Swanton. A total of 692 episodes were produced, yet despite the
series' fame, over 200 episodes are lost today. In 1946, a local
Chicago version of The Whistler with local actors aired Sundays on
WBBM, sponsored by Meister Brau beer.

THIS EPISODE:
October 25, 1942. CBS network. &quot;The Alibi&quot;. Sustaining. A domineering
old lady controls all those around her...several of whom have a good
reason for doing her in. J. Donald Wilson (writer, director), Wilbur
Hatch (composer, conductor), Herbert Connor (writer). 29:31</itunes:summary>
			<pubDate>Wed, 23 Jul 2008 20:34:12 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1942 to 195, ABC, adventure, B.Camardella, Blue Network, cbs, Chicago, Ill., comedy, Cop, crime</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/119693/otrsuspense-119693-07-23-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/119693/otrsuspense-119693-07-23-2008.mp3" length="7097827" type="audio/mpeg" />
		</item>
		<item>
			<title>Danger With Granger  &quot;Clever Criminologist&quot; (1957)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=119411&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>Danger With Granger </strong>arrived too late in the Golden Age of Radio to have any real impact on the listening public. Mutual aired this show, starting in 1956, on Monday nights at 8:30 pm. It was a half hour show that featured a private eye in New York City, STEVE GRANGER. His two primary companions were Cal Hendrix, a reporter who served as an all-purpose source of criminal info, and Jake Rankin, a police detective with whom he had a grudging rivalry. The writing on the show seemed to incorporate most of the standard cliche's of the P.I. world. Granger, who was both the star and the first-person narrator of the show (not an uncommon practice with radio gumshoes), never saw a woman, instead &quot;he gave the doll the once-over.&quot; He didn't kick with his foot, he &quot;lifted a size 10.&quot; Instead of paying cash, he &quot;forked over numbered lettuce.&quot; The mysteries he solved were fairly reasonable, and while he was a tough guy who roughed up lesser mortals, he seemed to get knocked unconscious at least once in every program. A total of 28 episodes survived and are in trading currency. <br /></font></p> <p><font face="times new roman,times" size="3"><strong>THIS EPISODE:</strong> <br />1956. Mutual network. Commercials deleted. The story of a man who believed he could get away with murder, and very nearly did! Mr. Milroy is a criminologist who thinks he's very clever. The date is approximate. . 27:07. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	Danger With Granger arrived too late in the Golden Age of Radio to
have any real impact on the listening public. Mutual aired this show,
starting in 1956, on Monday nights at 8:30 pm. It was a half hour show
that featured a private eye in New York City, STEVE GRANGER. His two
primary companions were Cal Hendrix, a reporter who served as an
all-purpose source of criminal info, and Jake Rankin, a police
detective with whom he had a grudging rivalry. The writing on the show
seemed to incorporate most of the standard cliche's of the P.I. world.
Granger, who was both the star and the first-person narrator of the
show (not an uncommon practice with radio gumshoes), never saw a
woman, instead &quot;he gave the doll the once-over.&quot; He didn't kick with
his foot, he &quot;lifted a size 10.&quot; Instead of paying cash, he &quot;forked
over numbered lettuce.&quot; The mysteries he solved were fairly
reasonable, and while he was a tough guy who roughed up lesser
mortals, he seemed to get knocked unconscious at least once in every
program. A total of 28 episodes survived and are in trading currency.

	THIS EPISODE:
1956. Mutual network. Commercials deleted. The story of a man who
believed he could get away with murder, and very nearly did! Mr.
Milroy is a criminologist who thinks he's very clever. The date is
approximate. . 27:07.

</itunes:summary>
			<pubDate>Mon, 21 Jul 2008 16:33:44 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1956, ABC, adventure, B.Camardella, Blue Network, Cal Hendrix, cbs, comedy, Cop, crime</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/119411/otrsuspense-119411-07-21-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/119411/otrsuspense-119411-07-21-2008.mp3" length="6378728" type="audio/mpeg" />
		</item>
		<item>
			<title>Suspense  &quot;Beware Of The Quiet Man&quot; (08-12-48)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=119194&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>Suspense </strong>was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as &quot;radio's outstanding theater of thrills.&quot; It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were &quot;The Man who Went Back to Save Lincoln&quot; (a time travel fantasy), and an adaptation of &quot;Donovan's Brain&quot;. <br /> <br /><strong>THIS EPISODE:</strong> <br />August 12, 1948. CBS network. &quot;<em><strong>Beware The Quiet Man</strong></em>&quot;. Sponsored by: Auto-Lite. A two-timing wife learns that her meek, bank-teller husband is planning to kill her. Ann Sothern, William Conrad, Paul Frees (announcer), Toby Hall (writer), Anton M. Leader (producer, director), Harlow Wilcox (commercial spokesman), Betty Lou Gerson (commercial spokeswoman), Jerry Hausner (commercial spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor). 29:25.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>Suspense was one of the premier programs of the Golden Age of Radio
(aka old-time radio), and advertised itself as &quot;radio's outstanding
theater of thrills.&quot; It was heard in one form or another from 1942
through 1962. There were approximately 945 episodes broadcast during
its long run, over 900 of which are extant in mostly high-quality
recordings. Suspense went through several major phases, characterized
by different hosts, sponsors and director/producers. There were a few
rules which were followed for all but a handful of episodes:
Protagonists were usually a normal person suddenly dropped into a
threatening or bizarre situation. Evildoers must be punished in the
end. The program made only occasional forays into science fiction and
fantasy. Among its science fiction entries were &quot;The Man who Went Back
to Save Lincoln&quot; (a time travel fantasy), and an adaptation of
&quot;Donovan's Brain&quot;.

THIS EPISODE:
August 12, 1948. CBS network. &quot;Beware The Quiet Man&quot;. Sponsored by:
Auto-Lite. A two-timing wife learns that her meek, bank-teller husband
is planning to kill her. Ann Sothern, William Conrad, Paul Frees
(announcer), Toby Hall (writer), Anton M. Leader (producer, director),
Harlow Wilcox (commercial spokesman), Betty Lou Gerson (commercial
spokeswoman), Jerry Hausner (commercial spokesman), Lucien Moraweck
(composer), Lud Gluskin (conductor). 29:25.</itunes:summary>
			<pubDate>Fri, 18 Jul 2008 17:48:18 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1942 to 1962, ABC, adventure, Ann Sothern, Anton M. Leader, August 12, 1948, Auto-Lite, B.Camardella, bank teller, Betty Lou Gerson</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/119194/otrsuspense-119194-07-18-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/119194/otrsuspense-119194-07-18-2008.mp3" length="7610977" type="audio/mpeg" />
		</item>
		<item>
			<title>The Whisperer  &quot;Into Each Life&quot; (08-19-51)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=118951&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>The Whisperer</strong> was an American old-time radio show broadcast from July 8 to September 30, 1951 on NBC. The premise of the series was as improbable as its storylines. The protagonist was Philip Gault (Carleton G. Young), a lawyer who, due to some unexplained accident, lost his voice and could only speak in an eerie whisper. Gault infiltrates &quot;the syndicate&quot; in his native Central City to bring down organized crime from within; to the underworld, he becomes known as the Whisperer. Later, his voice is restored through surgery, but he continues to lead a double life as the Whisperer, relaying instructions from the syndicate bosses in New York (who don't know he's a mole) to their lackeys in Central City, whom Gault is actually setting up. By today's standards, the stories are dated and their message-mongering usually criticized as ham-fisted, the product of what might be considered the unenlightened attitudes of the time. The first episode (&quot;Tea Time for Teenagers&quot;) is typical, an overwrought &quot;it can happen here&quot; melodrama about a syndicate plot to create &quot;200 regular marijuana addicts&quot; among high school students. The episode makes a blatant appeal to the moral indignation of its audience, ending with Gault advising PTA's to &quot;show some of the fine educational films available on marijuana and how it leads to a worse addiction.&quot; Carleton G. Young, who played Gault, is sometimes confused with the actor Carleton Young. Betty Moran portrayed his girlfriend Ellen, the only other person who knew Gault's double identity. </font></p> <p><font face="times new roman,times" size="3"><strong>THIS EPISODE:</strong> <br />August 19, 1951. &quot;<em><strong>Into Each Life</strong></em>&quot; - NBC network. Sustaining. This program includes a scene where &quot;The Whisperer&quot; recounts his origins to Ellen. &quot;The Syndicate&quot; is determined to kill a nightclub owner who refuses to pay them off. They've already tried to assassinate him seven times! Bernard Phillips, Betty Lou Gerson, Betty Moran, Bill Cairn (director), Byron Kane, Carleton Young, Don Rickles (announcer), John Duffy (original music), Stetson Humphrey (creator). 29:20. <br /> </font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Whisperer was an American old-time radio show broadcast from
July 8 to September 30, 1951 on NBC. The premise of the series was as
improbable as its storylines. The protagonist was Philip Gault
(Carleton G. Young), a lawyer who, due to some unexplained accident,
lost his voice and could only speak in an eerie whisper. Gault
infiltrates &quot;the syndicate&quot; in his native Central City to bring down
organized crime from within; to the underworld, he becomes known as
the Whisperer. Later, his voice is restored through surgery, but he
continues to lead a double life as the Whisperer, relaying
instructions from the syndicate bosses in New York (who don't know
he's a mole) to their lackeys in Central City, whom Gault is actually
setting up. By today's standards, the stories are dated and their
message-mongering usually criticized as ham-fisted, the product of
what might be considered the unenlightened attitudes of the time. The
first episode (&quot;Tea Time for Teenagers&quot;) is typical, an overwrought
&quot;it can happen here&quot; melodrama about a syndicate plot to create &quot;200
regular marijuana addicts&quot; among high school students. The episode
makes a blatant appeal to the moral indignation of its audience,
ending with Gault advising PTA's to &quot;show some of the fine educational
films available on marijuana and how it leads to a worse addiction.&quot;
Carleton G. Young, who played Gault, is sometimes confused with the
actor Carleton Young. Betty Moran portrayed his girlfriend Ellen, the
only other person who knew Gault's double identity. 

	THIS EPISODE:
August 19, 1951. &quot;Into Each Life&quot; - NBC network. Sustaining. This
program includes a scene where &quot;The Whisperer&quot; recounts his origins to
Ellen. &quot;The Syndicate&quot; is determined to kill a nightclub owner who
refuses to pay them off. They've already tried to assassinate him
seven times! Bernard Phillips, Betty Lou Gerson, Betty Moran, Bill
Cairn (director), Byron Kane, Carleton Young, Don Rickles (announcer),
John Duffy (original music), Stetson Humphrey (creator). 29:20.
 </itunes:summary>
			<pubDate>Wed, 16 Jul 2008 16:07:18 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>., ABC, adventure, August 19, 1951, B.Camardella, Bernard Phillips, Betty Lou Gerson, Betty Moran, Bill Cairn, Blue Network</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/118951/otrsuspense-118951-07-16-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/118951/otrsuspense-118951-07-16-2008.mp3" length="7088392" type="audio/mpeg" />
		</item>
		<item>
			<title>This Is Your FBI  &quot;The Surplus Swindle&quot; (06-28-46)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=118753&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>This Is Your FBI</strong> was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it &quot;the finest dramatic program on the air.&quot; Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.</font></p> <p><font face="times new roman,times" size="3"><strong>THIS EPISODE:</strong> <br />June 28, 1946. ABC network. &quot;<em><strong>The Surplus Swindle</strong></em>&quot;. Sponsored by: The Equitable Life Assurance Society. A phoney army officer and his moll offer a not-so-honest store owner two hundred radios that belong to the army. John Gibson, Frederick Steiner (composer, conductor), Dean Carlton (narrator), Carl Frank (announcer), Frank Faries (writer). 29:31.</font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	This Is Your FBI was a radio crime drama which aired in the United
States on ABC from April 6, 1945 to January 30, 1953. FBI chief J.
Edgar Hoover gave it his endorsement, calling it &quot;the finest dramatic
program on the air.&quot; Producer-director Jerry Devine was given access
to FBI files by Hoover, and the resulting dramatizations of FBI cases
were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and
William Woodson (1948-53). Stacy Harris had the lead role of Special
Agent Jim Taylor. Others in the cast were William Conrad, Bea
Benaderet and Jay C. Flippen.

	THIS EPISODE:
June 28, 1946. ABC network. &quot;The Surplus Swindle&quot;. Sponsored by: The
Equitable Life Assurance Society. A phoney army officer and his moll
offer a not-so-honest store owner two hundred radios that belong to
the army. John Gibson, Frederick Steiner (composer, conductor), Dean
Carlton (narrator), Carl Frank (announcer), Frank Faries (writer).
29:31.</itunes:summary>
			<pubDate>Mon, 14 Jul 2008 19:33:47 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1945 to 1953, ABC, adventure, B.Camardella, Bea Benaderet, Blue Network, cbs, comedy, D.Humphrey, Dean Carleton</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/118753/otrsuspense-118753-07-14-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/118753/otrsuspense-118753-07-14-2008.mp3" length="7207437" type="audio/mpeg" />
		</item>
		<item>
			<title>The Devil &amp;amp; Mr O  &quot;The Hungry One&quot; (01-14-72)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=118473&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>The Devil and Mr. O </strong>- Wyllis Cooper, who created, wrote, and produced it, was then a 36-year-old staffer in Chicago's NBC Studios. Cooper created his horror &quot;by raiding the larder.&quot; For the purposed of Lights Out sound effects, people were what they ate. The sound of a butcher knife rending a piece of uncooked pork was, when accompanied by shrieks and screams, the essence of murder to a listener alone at midnight. Real bones were broken - spareribs snapped with a pipe wrench. Bacon in a frypan gave a vivid impression of a body just electrocuted. And the cannibalism effect was actually a zealous actor. Gurgling and smacking his lips as he slurped up a bowl of spaghetti. Cabbages sounded like human heads when chopped open with a cleaver, and carrots had the pleasant resonance of fingers being lopped off. Arch Oboler's celebrated tale of a man turned inside-out by a demonic fog was accomplished by soaking a rubber glove in water and stripping it off at the microphone while a berry basket was curshed at the same instant. The listener saw none of this. The listener saw carnage and death. <br /></font></p> <p><font face="times new roman,times" size="3"><strong>THIS EPISODE:</strong> <br />January 14, 1972. Program #18. CBS net origination, syndicated rebroadcast. &quot;<em><strong>The Hungry One</strong></em>&quot;. Commercials added locally. An monster-from-outer-space story. This one has a sinister appetite. Syndicated program name: &quot;Lights Out&quot; The story is also known as &quot;Meteor Man.&quot; Arch Oboler (writer, host). 25 minutes. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Devil and Mr. O - Wyllis Cooper, who created, wrote, and
produced it, was then a 36-year-old staffer in Chicago's NBC Studios.
Cooper created his horror &quot;by raiding the larder.&quot; For the purposed of
Lights Out sound effects, people were what they ate. The sound of a
butcher knife rending a piece of uncooked pork was, when accompanied
by shrieks and screams, the essence of murder to a listener alone at
midnight. Real bones were broken - spareribs snapped with a pipe
wrench. Bacon in a frypan gave a vivid impression of a body just
electrocuted. And the cannibalism effect was actually a zealous actor.
Gurgling and smacking his lips as he slurped up a bowl of spaghetti.
Cabbages sounded like human heads when chopped open with a cleaver,
and carrots had the pleasant resonance of fingers being lopped off.
Arch Oboler's celebrated tale of a man turned inside-out by a demonic
fog was accomplished by soaking a rubber glove in water and stripping
it off at the microphone while a berry basket was curshed at the same
instant. The listener saw none of this. The listener saw carnage and
death.

	THIS EPISODE:
January 14, 1972. Program #18. CBS net origination, syndicated
rebroadcast. &quot;The Hungry One&quot;. Commercials added locally. An
monster-from-outer-space story. This one has a sinister appetite.
Syndicated program name: &quot;Lights Out&quot; The story is also known as
&quot;Meteor Man.&quot; Arch Oboler (writer, host). 25 minutes.

</itunes:summary>
			<pubDate>Fri, 11 Jul 2008 20:05:22 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, Arch Oboler, B.Camardella, Blue Network, cbs, comedy, D.Humphrey, drama, Earth</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/118473/otrsuspense-118473-07-11-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/118473/otrsuspense-118473-07-11-2008.mp3" length="7100564" type="audio/mpeg" />
		</item>
		<item>
			<title>The Falcon  &quot;The Case Of The Raw Deal&quot; (12-10-50)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=117951&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>The Falcon</strong> - This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including &quot;The Killers&quot;, &quot;Spartacus&quot; and &quot;Cimarron&quot;; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was &quot;Falcon&quot;; Later Charles McGraw starred in a short lived TV version of &quot;Casablanca&quot; (1955 - 1956) in the character of Rick; He also had a role on the detective drama &quot;Staccato&quot; (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA. <br /> <br /><strong>THIS EPISODE:</strong> <br />December 10, 1950. NBC network. &quot;<em><strong>The Case Of The Raw Deal</strong></em>&quot;. Sponsored by: Kraft. A gunman robs a hotel room poker game of $65,000. The victims hire &quot;The Falcon&quot; to find the gunman, but Mike Waring suspects that one of the card players was in on the deal. Les Damon, Ed Herlihy (announcer), Drexel Drake (creator). 29:34. <br /> <br /></font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Falcon - This hard boiled spy drama began as an RKO Radio Pictures
theatrical serial in the 1940s, went on radio in 1945, and then came
to TV ten years later in this Syndicated series produced for
distribution by NBC Films; Charles McGraw had been in many motion
pictures before and after including &quot;The Killers&quot;, &quot;Spartacus&quot; and
&quot;Cimarron&quot;; in this series he played the title role of a man whose
real name was supposedly Mike Waring, an American agent whose code
name was &quot;Falcon&quot;; Later Charles McGraw starred in a short lived TV
version of &quot;Casablanca&quot; (1955 - 1956) in the character of Rick; He
also had a role on the detective drama &quot;Staccato&quot; (1959) Actor McGraw
(whose birth name was Charles Butters) met an unfortunate death in
real life when he fell through a shower glass door in 1980 at his home
in Studio City, CA.

THIS EPISODE:
December 10, 1950. NBC network. &quot;The Case Of The Raw Deal&quot;. Sponsored
by: Kraft. A gunman robs a hotel room poker game of $65,000. The
victims hire &quot;The Falcon&quot; to find the gunman, but Mike Waring suspects
that one of the card players was in on the deal. Les Damon, Ed Herlihy
(announcer), Drexel Drake (creator). 29:34.

</itunes:summary>
			<pubDate>Mon, 07 Jul 2008 19:01:13 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, American Agent, B.Camardella, Blue Network, cbs, Charles McGraw, comedy, Cop, crime</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/117951/otrsuspense-117951-07-07-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/117951/otrsuspense-117951-07-07-2008.mp3" length="6831901" type="audio/mpeg" />
		</item>
		<item>
			<title>The House In Gallows Lane  &quot;The Fortune Teller&quot; (Part 2 of 2) 1956</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=117692&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>The House In Gallows Lane - The Fortune Teller </strong>- There were three main BBC Radio stations broadcasting in Britain in the 1950s. The most widely listened-to service, the &quot;Light Programme&quot;, brought us popular music as wellas mainstream light entertainment in the form of variety shows, comedy, and drama. The &quot;Home Service&quot;, general entertainment programmes, was the main channel for news, features, and drama. The &quot;Third Programme&quot; meanwhile was unashamedly highbrow in character , its output consisted of classical music concerts and recitals, talks on matters scientific, philosophical, and cultural, together with poetry readings and classic or experimental plays. Each week we will present programs from the best of British Radio Shows from 1940's to the early 1960's.  <br /></font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The House In Gallows Lane - The Fortune Teller - There were three main
BBC Radio stations broadcasting in Britain in the 1950s. The most
widely listened-to service, the &quot;Light Programme&quot;, brought us popular
music as wellas mainstream light entertainment in the form of variety
shows, comedy, and drama. The &quot;Home Service&quot;, general entertainment
programmes, was the main channel for news, features, and drama. The
&quot;Third Programme&quot; meanwhile was unashamedly highbrow in character ,
its output consisted of classical music concerts and recitals, talks
on matters scientific, philosophical, and cultural, together with
poetry readings and classic or experimental plays. Each week we will
present programs from the best of British Radio Shows from 1940's to
the early 1960's. 
</itunes:summary>
			<pubDate>Fri, 04 Jul 2008 21:28:22 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1940&#039;s to 1950&#039;s, 1956, ABC, adventure, B.Camardella, BBC, Blue Network, British Radio, cbs, comedy</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/117692/otrsuspense-117692-07-04-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/117692/otrsuspense-117692-07-04-2008.mp3" length="10167993" type="audio/mpeg" />
		</item>
		<item>
			<title>The House In Gallows Lane - The Fortune Teller (1956) - Pt. 1 of 2</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=117400&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>British Radio</strong> - There were three main BBC Radio stations broadcasting in Britain in the 1950s. The most widely listened-to service, the &quot;Light Programme&quot;, brought us popular music as wellas mainstream light entertainment in the form of variety shows, comedy, and drama. The &quot;Home Service&quot;, general entertainment programmes, was the main channel for news, features, and drama. The &quot;Third Programme&quot; meanwhile was unashamedly highbrow in character , its output consisted of classical music concerts and recitals, talks on matters scientific, philosophical, and cultural, together with poetry readings and classic or experimental plays. Each week we will present programs from the best of British Radio Shows from 1940's to the early 1960's.</font></p> <p><font face="times new roman,times" size="3"><strong>This Episode:</strong></font></p> <p><font face="times new roman,times" size="3"><strong>The House In Gallows Lane (British Radio) - The Fortune Teller (1956) Part one of two </strong> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	British Radio - There were three main BBC Radio stations
broadcasting in Britain in the 1950s. The most widely listened-to
service, the &quot;Light Programme&quot;, brought us popular music as wellas
mainstream light entertainment in the form of variety shows, comedy,
and drama. The &quot;Home Service&quot;, general entertainment programmes, was
the main channel for news, features, and drama. The &quot;Third Programme&quot;
meanwhile was unashamedly highbrow in character , its output consisted
of classical music concerts and recitals, talks on matters scientific,
philosophical, and cultural, together with poetry readings and classic
or experimental plays. Each week we will present programs from the
best of British Radio Shows from 1940's to the early 1960's.

	This Episode:

	The House In Gallows Lane (British Radio) - The Fortune Teller
(1956) Part one of two 
</itunes:summary>
			<pubDate>Wed, 02 Jul 2008 21:08:23 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1956, ABC, adventure, B.Camardella, Blue Network, British Radio, cbs, comedy, D.Humphrey, drama</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/117400/otrsuspense-117400-07-02-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/117400/otrsuspense-117400-07-02-2008.mp3" length="10096313" type="audio/mpeg" />
		</item>
		<item>
			<title>Suspense  &quot;A Plain Case Of Murder&quot; (10-10-46)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=117202&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>Suspense</strong> was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as &quot;radio's outstanding theater of thrills.&quot; It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were &quot;The Man who Went Back to Save Lincoln&quot; (a time travel fantasy), and an adaptation of &quot;Donovan's Brain&quot;. <br /> <br /><strong>THIS EPISODE:</strong> <br />October 10, 1946. CBS network. &quot;<em><strong>A Plane Case Of Murder</strong></em>&quot;. Sponsored by: Roma Wines. A scheming woman and her pre-war lover plan to kill her wealthy husband. A private aircraft figures in the murder plot. Robert L. Richards (writer), Joseph Kearns (announcer), William Johnstone, Hans Conried, Jerry Hausner, Ken Niles (commercial spokesman), William Spier (producer, director), John Lund, Cathy Lewis, Lucien Moraweck (composer), Lud Gluskin (conductor). 29:45.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>Suspense was one of the premier programs of the Golden Age of Radio
(aka old-time radio), and advertised itself as &quot;radio's outstanding
theater of thrills.&quot; It was heard in one form or another from 1942
through 1962. There were approximately 945 episodes broadcast during
its long run, over 900 of which are extant in mostly high-quality
recordings. Suspense went through several major phases, characterized
by different hosts, sponsors and director/producers. There were a few
rules which were followed for all but a handful of episodes:
Protagonists were usually a normal person suddenly dropped into a
threatening or bizarre situation. Evildoers must be punished in the
end. The program made only occasional forays into science fiction and
fantasy. Among its science fiction entries were &quot;The Man who Went Back
to Save Lincoln&quot; (a time travel fantasy), and an adaptation of
&quot;Donovan's Brain&quot;.

THIS EPISODE:
October 10, 1946. CBS network. &quot;A Plane Case Of Murder&quot;. Sponsored
by: Roma Wines. A scheming woman and her pre-war lover plan to kill
her wealthy husband. A private aircraft figures in the murder plot.
Robert L. Richards (writer), Joseph Kearns (announcer), William
Johnstone, Hans Conried, Jerry Hausner, Ken Niles (commercial
spokesman), William Spier (producer, director), John Lund, Cathy
Lewis, Lucien Moraweck (composer), Lud Gluskin (conductor). 29:45.</itunes:summary>
			<pubDate>Mon, 30 Jun 2008 21:02:04 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1942 to 1962, A plane case of murder, ABC, adventure, B.Camardella, Blue Network, Cathy Lewis, cbs, comedy, crime</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/117202/otrsuspense-117202-06-30-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/117202/otrsuspense-117202-06-30-2008.mp3" length="6719679" type="audio/mpeg" />
		</item>
		<item>
			<title>The Untouchables  &quot;The Troubleshooter Eliot Ness&quot; (10-12-61)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=116950&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>The Untouchables</strong> is the name of a television series that ran from 1959 to 1963 on the American Broadcasting Company. Based on the memoir of the same name by Eliot Ness and Oscar Fraley, it fictionalized the experiences of Eliot Ness, a real-life Prohibition Agent, as he fought crime in Chicago in the 1930s with the help of a special team of agents handpicked for their courage &amp; incorruptibility, nicknamed the Untouchables. It was remade into a 1987 film by Brian De Palma also called The Untouchables, with a script by David Mamet. The stories often revolved around Ness' enmity with the criminal empire of Chicago mob boss Al Capone, and many focused on crimes related to Prohibition. The show starred Robert Stack as Eliot Ness and Neville Brand as Al Capone, and was narrated by Walter Winchell. The show drew harsh criticism from some Italian-Americans including Frank Sinatra[1], who felt it promoted negative stereotypes of them as mobsters and gangsters. The Capone family sued the show for $1,000,000 for its unauthorized use of Al Capone's likeness for profit. <br /> <br /> <br /><strong>This Episode:</strong> <br />The Troubleshooter adapted for radio aired originally October 12, 1961 starring Robert Stack as Eliot Ness with guest star Peter Falk, who went on to do Columbo. In the summer of 1934, a new gambling device was sweeping the nation: the punchboards. Even though they were nickel-and-dime games, it added up, they made more money than the numbers racket. After Ness and his men smash some of the punchboard manufacturing sites, the 5 members running the punchboards hold a meet at a building by the freight yards.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Untouchables is the name of a television series that ran from 1959
to 1963 on the American Broadcasting Company. Based on the memoir of
the same name by Eliot Ness and Oscar Fraley, it fictionalized the
experiences of Eliot Ness, a real-life Prohibition Agent, as he fought
crime in Chicago in the 1930s with the help of a special team of
agents handpicked for their courage &amp; incorruptibility, nicknamed the
Untouchables. It was remade into a 1987 film by Brian De Palma also
called The Untouchables, with a script by David Mamet. The stories
often revolved around Ness' enmity with the criminal empire of Chicago
mob boss Al Capone, and many focused on crimes related to Prohibition.
The show starred Robert Stack as Eliot Ness and Neville Brand as Al
Capone, and was narrated by Walter Winchell. The show drew harsh
criticism from some Italian-Americans including Frank Sinatra[1], who
felt it promoted negative stereotypes of them as mobsters and
gangsters. The Capone family sued the show for $1,000,000 for its
unauthorized use of Al Capone's likeness for profit.

This Episode:
The Troubleshooter adapted for radio aired originally October 12,
1961 starring Robert Stack as Eliot Ness with guest star Peter Falk,
who went on to do Columbo. In the summer of 1934, a new gambling
device was sweeping the nation: the punchboards. Even though they were
nickel-and-dime games, it added up, they made more money than the
numbers racket. After Ness and his men smash some of the punchboard
manufacturing sites, the 5 members running the punchboards hold a meet
at a building by the freight yards.</itunes:summary>
			<pubDate>Fri, 27 Jun 2008 16:59:34 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, Al Capone, B.Camardella, Blue Network, Brian DePalma, cbs, comedy, Cop, Court</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/116950/otrsuspense-116950-06-27-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/116950/otrsuspense-116950-06-27-2008.mp3" length="10455283" type="audio/mpeg" />
		</item>
		<item>
			<title>Murder By Experts  &quot;The Creeper&quot; (07-18-49)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=116738&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="3"><strong>MURDER BY EXPERTS</strong> <br />(1949-51, Mutual <br />130 30-minute episodes <br />Created by David Kogan <br />Writers: David Kogan <br />Directors/Producers: David Kogan And Robert A. Arthur <br />Hosts: John Dickson Carr (June 13, 1949-March 13, 1950) <br />and Brett Halliday (March 20, 1950-December 17, 1951) <br />Sound Effects: Mario Siletti <br />Guest experts: Alfred Hitchcock, Craig Rice <br />Guest stars: Ann Shepard, Larry Haines, Carl Eastman, Ann Sheperd, Bill Zuckert, Ralph Camargo, Burt Cullen, Lawson Zerbe, Marilyn Erskin <br />David Kogan, the writer/creator of Murder by Experts, also created and wrote The Mysterious Traveler.  <br /></font></p> <p><font face="times new roman,times" size="3"><strong>THIS EPISODE:</strong> <br />July 23, 1949. Mutual network, WOR, New York aicheck. &quot;<em><strong>The Creeper</strong></em>&quot;. Sponsored by: Sustaining, Bulova Watch (local). A suspense story about a mad killer who strangles his red-headed victims.  The program moved to Sundays at 10:00 P. M., being replaced in this time slot by, &quot;The Damon Runyon Theatre.&quot; John Dickson Carr (host, narrator), Joseph Ruscoll (writer), Marilyn Erskine. 29:17. <br /> </font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	MURDER BY EXPERTS
(1949-51, Mutual
130 30-minute episodes
Created by David Kogan
Writers: David Kogan
Directors/Producers: David Kogan And Robert A. Arthur
Hosts: John Dickson Carr (June 13, 1949-March 13, 1950)
and Brett Halliday (March 20, 1950-December 17, 1951)
Sound Effects: Mario Siletti
Guest experts: Alfred Hitchcock, Craig Rice
Guest stars: Ann Shepard, Larry Haines, Carl Eastman, Ann Sheperd,
Bill Zuckert, Ralph Camargo, Burt Cullen, Lawson Zerbe, Marilyn Erskin
David Kogan, the writer/creator of Murder by Experts, also created
and wrote The Mysterious Traveler. 

	THIS EPISODE:
July 23, 1949. Mutual network, WOR, New York aicheck. &quot;The Creeper&quot;.
Sponsored by: Sustaining, Bulova Watch (local). A suspense story about
a mad killer who strangles his red-headed victims.  The program moved
to Sundays at 10:00 P. M., being replaced in this time slot by, &quot;The
Damon Runyon Theatre.&quot; John Dickson Carr (host, narrator), Joseph
Ruscoll (writer), Marilyn Erskine. 29:17.
 </itunes:summary>
			<pubDate>Wed, 25 Jun 2008 21:16:27 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1949 to 1951, ABC, adventure, Alfred Hitchcock, Ann Shepart, Ann Sheperd, B.Camardella, Bill Zuckert, Blue Network, Brett Halliday</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/116738/otrsuspense-116738-06-25-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/116738/otrsuspense-116738-06-25-2008.mp3" length="7302105" type="audio/mpeg" />
		</item>
		<item>
			<title>The Shadow  &quot;Message From The Hills&quot; (07-31-38)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=116556&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>The Shadow</strong> - One of the most popular radio shows in history debuted in August 1930 when &quot;The Shadow&quot; went on the air. &quot;Who knows what evil lurks in the hearts of men? The Shadow knows!&quot; The opening lines of the &quot;Detective Story&quot; program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that &quot;Detective Story&quot; was soon renamed &quot;The Shadow,&quot; and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to &quot;cloud men's minds.&quot; <br /> <br /><strong>THIS EPISODE:</strong> <br />1938. Syndicated. &quot;<em><strong>The Message From The Hill</strong></em>&quot;. Sponsored by: B. F. Goodrich Tires. The Shadow foils a plot to rob a diamond mine. Orson Welles, Margot Stevenson, Ken Roberts (announcer). 1/2 hour.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Shadow - One of the most popular radio shows in history debuted in
August 1930 when &quot;The Shadow&quot; went on the air. &quot;Who knows what evil
lurks in the hearts of men? The Shadow knows!&quot; The opening lines of
the &quot;Detective Story&quot; program captivated listeners and are instantly
recognizable even today. Originally the narrator of the series of
macabre tales, the eerie voice known as The Shadow became so popular
to listeners that &quot;Detective Story&quot; was soon renamed &quot;The Shadow,&quot; and
the narrator became the star of the old-time mystery radio series,
which ran until 1954. A figure never seen, only heard, the Shadow was
an invincible crime fighter. He possessed many gifts which enabled him
to overcome any enemy. Besides his tremendous strength, he could defy
gravity, speak any language, unravel any code, and become invisible
with his famous ability to &quot;cloud men's minds.&quot;

THIS EPISODE:
1938. Syndicated. &quot;The Message From The Hill&quot;. Sponsored by: B. F.
Goodrich Tires. The Shadow foils a plot to rob a diamond mine. Orson
Welles, Margot Stevenson, Ken Roberts (announcer). 1/2 hour.</itunes:summary>
			<pubDate>Mon, 23 Jun 2008 22:27:50 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, B.F. Goodrich Tires, Blue Network, cbs, comedy, Cop, Court, crime</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/116556/otrsuspense-116556-06-23-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/116556/otrsuspense-116556-06-23-2008.mp3" length="5628492" type="audio/mpeg" />
		</item>
		<item>
			<title>Hollywood Radio Theater  &quot;I Confess&quot; (09-21-53)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=116302&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="3"><strong>Lux Radio Theater  (Hollywood Radio Theater)</strong> strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance to do the show. It was when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York to Hollywood in 1936 that it eased back from adapting stage shows and toward adaptations of films. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell. <br /> <br /><strong>THIS EPISODE:</strong> <br />September 21, 1953. Program #92. CBS network origination, AFRS rebroadcast. &quot;<em><strong>I Confess</strong></em>&quot;. A priest hears the confession of a murderer. Because he cannot reveal the killer's identity, the priest finds himself accused of the crime. AFRS program name: &quot;Hollywood Radio Theatre.&quot; Cary Grant, Phyllis Thaxter, Irving Cummings (host), Ken Carpenter (announcer), Rudy Schrager (music director), Jack Kruschen, Leonard Penn, Edgar Barrier, Shepard Menken, George Baxter, Anne Morrison, Charlie Lung, Jill Oppenheim, William Johnstone, Herb Butterfield, Tony Michaels, Edward Marr, George Tabori (screenwriter), William Archibald (screenwriter), Paul Anthelme (author), Earl Ebi (director), Sanford Barnett (adaptor), Charlie Forsyth (sound effects). 55 minutes. Audio condition: Excellent. Complete.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>Lux Radio Theater  (Hollywood Radio Theater) strove to feature as
many of the original stars of the original stage and film productions
as possible, usually paying them $5,000 an appearance to do the show.
It was when sponsor Lever Brothers (who made Lux soap and detergent)
moved the show from New York to Hollywood in 1936 that it eased back
from adapting stage shows and toward adaptations of films. The first
Lux film adaptation was The Legionnaire and the Lady, with Marlene
Dietrich and Clark Gable, based on the film Morocco. That was followed
by a Lux adaptation of The Thin Man, featuring the movie's stars,
Myrna Loy and William Powell.

THIS EPISODE:
September 21, 1953. Program #92. CBS network origination, AFRS
rebroadcast. &quot;I Confess&quot;. A priest hears the confession of a murderer.
Because he cannot reveal the killer's identity, the priest finds
himself accused of the crime. AFRS program name: &quot;Hollywood Radio
Theatre.&quot; Cary Grant, Phyllis Thaxter, Irving Cummings (host), Ken
Carpenter (announcer), Rudy Schrager (music director), Jack Kruschen,
Leonard Penn, Edgar Barrier, Shepard Menken, George Baxter, Anne
Morrison, Charlie Lung, Jill Oppenheim, William Johnstone, Herb
Butterfield, Tony Michaels, Edward Marr, George Tabori (screenwriter),
William Archibald (screenwriter), Paul Anthelme (author), Earl Ebi
(director), Sanford Barnett (adaptor), Charlie Forsyth (sound
effects). 55 minutes. Audio condition: Excellent. Complete.</itunes:summary>
			<pubDate>Fri, 20 Jun 2008 20:32:46 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, Anne Morrison, B.Camardella, Blue Network, cbs, Charlie Forsyth, Charlie Lung, comedy, confess</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/116302/otrsuspense-116302-06-20-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/116302/otrsuspense-116302-06-20-2008.mp3" length="13421759" type="audio/mpeg" />
		</item>
		<item>
			<title>Escape  &quot;Confession&quot; (12-31-47)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=116093&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="2"><strong>Escape</strong> was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the  introduction, intoned by Paul Frees and William Conrad: “Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!”  Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's &quot;Confession&quot;, Ray Bradbury's oft-reprinted &quot;Mars Is Heaven,&quot; George R. Stewart's Earth Abides, Richard Connell's &quot;The Most Dangerous Game,&quot; F. Scott Fitzgerald's &quot;The Diamond as Big as the Ritz,&quot; John Collier's &quot;Evening Primrose&quot;, later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling &quot;Three Skeleton Key,&quot; the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze.  <br /> <br /><strong>THIS EPISODE: </strong> <br /> <br />December 31, 1947. CBS network. &quot;<em><strong>Confession</strong></em>&quot;. Sustaining. A good story about a shell-shocked soldier walking the fog-filled streets of London...finding murder and terror! Algernon Blackwood (author), William Conrad, Peggy Webber, William N. Robson (producer, director), John Dunkel (adaptor), Cy Feuer (music conceiver, conductor), Ramsay Hill. 29:40.</font></p> <p><font face="times new roman,times" size="2"><em><strong>Notes From (Radio Gold Index) www.radiogoldindex.com </strong></em> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	Escape was radio's leading anthology series of high adventure,
airing on CBS from July 7, 1947 to September 25, 1954. Since the
program did not have a regular sponsor like Suspense, it was subjected
to frequent schedule shifts and lower production budgets, although
Richfield Oil signed on as a sponsor for five months in 1950. Despite
these problems, Escape enthralled many listeners during its seven-year
run. The series' well-remembered opening combined Mussorgsky's Night
on Bald Mountain with the  introduction, intoned by Paul Frees and
William Conrad: “Tired of the everyday routine? Ever dream of a life
of romantic adventure? Want to get away from it all? We offer you...
Escape!”  Of the more than 230 Escape episodes, most have survived
in good condition. Many story premises, both originals and
adaptations, involved a protagonist in dire life-or-death straits, and
the series featured more science fiction and supernatural tales than
Suspense. Some of the memorable adaptations include Algernon
Blackwood's &quot;Confession&quot;, Ray Bradbury's oft-reprinted &quot;Mars Is
Heaven,&quot; George R. Stewart's Earth Abides, Richard Connell's &quot;The Most
Dangerous Game,&quot; F. Scott Fitzgerald's &quot;The Diamond as Big as the
Ritz,&quot; John Collier's &quot;Evening Primrose&quot;, later adapted to TV as a
Stephen Sondheim musical starring Anthony Perkins. Vincent Price and
Harry Bartell were heard in the chilling &quot;Three Skeleton Key,&quot; the
tale of three men trapped in an isolated lighthouse by thousands of
rats. The half-hour was adapted from an Esquire short story by the
French writer George Toudouze. 

THIS EPISODE: 

December 31, 1947. CBS network. &quot;Confession&quot;. Sustaining. A good
story about a shell-shocked soldier walking the fog-filled streets of
London...finding murder and terror! Algernon Blackwood (author),
William Conrad, Peggy Webber, William N. Robson (producer, director),
John Dunkel (adaptor), Cy Feuer (music conceiver, conductor), Ramsay
Hill. 29:40.

	Notes From (Radio Gold Index) www.radiogoldindex.com 
</itunes:summary>
			<pubDate>Wed, 18 Jun 2008 20:10:41 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1947 To 1954, ABC, adventure, Algernon Blackwood, B.Camardella, Blue Network, cbs, comedy, Confession, Cy Feuer</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/116093/otrsuspense-116093-06-18-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/116093/otrsuspense-116093-06-18-2008.mp3" length="7142444" type="audio/mpeg" />
		</item>
		<item>
			<title>The Adventures Of Leonidas Witherall  &quot;Resort&quot; (09-07-43)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=115883&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="2"><strong>Adventures of Leonidas Witherall </strong>was a radio mystery series broadcast on Mutual in the mid-1940s. Based on the novels of Phoebe Atwood Taylor (writing as Alice Tilton), the 30-minute dramas were produced by Roger Bower and starred Walter Hampden as Leonidas Witherall, a New England boys' school instructor in Dalton, Massachusetts, a fictional Boston suburb. Witherall, who resembled William Shakespeare, is an amateur detective and the accomplished author of the &quot;popular Lieutenant Hazeltine stories.&quot; His housekeeper Mrs. Mollett was played by Ethel Remey (1895-1979) and Jack MacBryde appeared as Police Sgt. McCloud. The announcer was Carl Caruso. Milton Kane supplied the music. The series began June 4, 1944 and continued until May 6, 1945. <br /> <br /><strong>THIS EPISODE:</strong> <br />September 7, 1943. CBS network. Sustaining. This series deals with a college professor who looks like Shakespeare and is very good at solving murders. This story takes place at a mountain resort where a murder has been committed by someone very adept at throwing knives. Walter Hampden, Agnes Moorehead. 1/2 hour.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>Adventures of Leonidas Witherall was a radio mystery series broadcast
on Mutual in the mid-1940s. Based on the novels of Phoebe Atwood
Taylor (writing as Alice Tilton), the 30-minute dramas were produced
by Roger Bower and starred Walter Hampden as Leonidas Witherall, a New
England boys' school instructor in Dalton, Massachusetts, a fictional
Boston suburb. Witherall, who resembled William Shakespeare, is an
amateur detective and the accomplished author of the &quot;popular
Lieutenant Hazeltine stories.&quot; His housekeeper Mrs. Mollett was played
by Ethel Remey (1895-1979) and Jack MacBryde appeared as Police Sgt.
McCloud. The announcer was Carl Caruso. Milton Kane supplied the
music. The series began June 4, 1944 and continued until May 6, 1945.

THIS EPISODE:
September 7, 1943. CBS network. Sustaining. This series deals with a
college professor who looks like Shakespeare and is very good at
solving murders. This story takes place at a mountain resort where a
murder has been committed by someone very adept at throwing knives.
Walter Hampden, Agnes Moorehead. 1/2 hour.</itunes:summary>
			<pubDate>Mon, 16 Jun 2008 20:48:40 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, Blue Network, cbs, comedy, D.Humphrey, drama, entertainment, Golden Age</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/115883/otrsuspense-115883-06-16-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/115883/otrsuspense-115883-06-16-2008.mp3" length="6781955" type="audio/mpeg" />
		</item>
		<item>
			<title>The Whisperer  &quot;The Woman On Ice&quot; (09-09-51)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=115627&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="2"><strong>The Whisperer </strong>was an American old-time radio show broadcast from July 8 to September 30, 1951 on NBC. It ran for only 13 episodes. The premise of the series was as improbable as its storylines. The protagonist was Philip Gault (Carleton G. Young), a lawyer who, due to some unexplained accident, lost his voice and could only speak in an eerie whisper. Gault infiltrates &quot;the syndicate&quot; in his native Central City to bring down organized crime from within; to the underworld, he becomes known as the Whisperer. Later, his voice is restored through surgery, but he continues to lead a double life as the Whisperer, relaying instructions from the syndicate bosses in New York (who don't know he's a mole) to their lackeys in Central City, whom Gault is actually setting up. By today's standards, the stories are dated and their message-mongering usually criticized as ham-fisted, the product of what might be considered the unenlightened attitudes of the time. </font></p> <p><font face="times new roman,times" size="2"><strong>THIS EPISODE:</strong> <br />September 9, 1951. NBC network. Sustaining. Not auditioned. &quot;<em>The Whisperer</em>&quot; gives &quot;The Syndicate's&quot; instructions. It's only one word, &quot;Now.&quot; Carleton Young, Betty Moran, Stetson Humphrey (creator), John Duffy (original music), Bill Cairn (producer, director), Don Rickles (announcer), Sidney Miller, Stacy Harris, Charles Moody, Michael Ann Barrett, Jonathan Twice (writer). 29:26. <br /> </font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Whisperer was an American old-time radio show broadcast from
July 8 to September 30, 1951 on NBC. It ran for only 13 episodes. The
premise of the series was as improbable as its storylines. The
protagonist was Philip Gault (Carleton G. Young), a lawyer who, due to
some unexplained accident, lost his voice and could only speak in an
eerie whisper. Gault infiltrates &quot;the syndicate&quot; in his native Central
City to bring down organized crime from within; to the underworld, he
becomes known as the Whisperer. Later, his voice is restored through
surgery, but he continues to lead a double life as the Whisperer,
relaying instructions from the syndicate bosses in New York (who don't
know he's a mole) to their lackeys in Central City, whom Gault is
actually setting up. By today's standards, the stories are dated and
their message-mongering usually criticized as ham-fisted, the product
of what might be considered the unenlightened attitudes of the time. 

	THIS EPISODE:
September 9, 1951. NBC network. Sustaining. Not auditioned. &quot;The
Whisperer&quot; gives &quot;The Syndicate's&quot; instructions. It's only one word,
&quot;Now.&quot; Carleton Young, Betty Moran, Stetson Humphrey (creator), John
Duffy (original music), Bill Cairn (producer, director), Don Rickles
(announcer), Sidney Miller, Stacy Harris, Charles Moody, Michael Ann
Barrett, Jonathan Twice (writer). 29:26.
 </itunes:summary>
			<pubDate>Fri, 13 Jun 2008 22:26:06 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1951, ABC, adventure, B.Camardella, Berry Moran, Bill Cairn, Blue Network, Carlton Young, cbs, Charles Moody</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/115627/otrsuspense-115627-06-13-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/115627/otrsuspense-115627-06-13-2008.mp3" length="7269086" type="audio/mpeg" />
		</item>
		<item>
			<title>Danger Doctor Danfield  &quot;Murder Of Cora Rogers&quot; (09-01-46)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=115348&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="2"><strong>Danger, Dr Danfield</strong> was first broadcast on August 18, 1946 and consisted of 26 episodes with the last one being April 13, 1947. All episodes are available. It starred Michael Dunn as Dr. Danfield, with JoAnne Johnson as Rusty Fairfax, his secretary. The series was written by Ralph Wilkinson and produced by Wally Ramsey. This series consistently featured some of the worst acting and writing of any detective show to reach the airwaves. The show had a formula with the crime usually being committed in the first third of the program, the good doctor solving it in the second third, and then pedantically explaining the solution to someone (usually his &quot;pretty, young&quot; secretary, Rusty) in the conclusion. Dr. Daniel Danfield was an obnoxious unlicensed private investigator/criminal psychologist with an ego complex. Why Rusty would put up with this guy is beyond understanding. In this case, love is not only blind, but also deaf and dumb. But then, Rusty was no prize package either. In fact, the most complex person on the show is Dr. Dan Danfield's pretty young secretary, Miss Rusty Fairfax. Why does Dr. Dan always call her Miss Fairfax? Dr. Dan goes to extremes to keep her at arm's length, but it's obvious he's just taunting her. After all, he's a criminal psychologist, and the way he treats Rusty is criminal! She can flare up, but usually just slow simmers in her professionally feminine way. Too bad one of the bad guys wasn't able to rub both of them out but these crooks were incredibly inept. Unfortunately, the toughs, society-types in trouble and the necessary law enforcement officers in this series, are nearly as individual as furniture in a model home. Still, if mindless detective drama is what you're looking for and you've tried the rest, then let Dr. Dan Danfield give you a little of a criminal psychologist's caseload. The show makes good drive-time or casual listening, since it doesn't make great demands on the emotions or intellect.</font></p> <p><font face="times new roman,times" size="1"><em>Show Notes From THE OLD TIME RADIO RESEARCHER'S GROUP</em></font></p> <p><font face="times new roman,times" size="2"><strong>THIS EPISODE:</strong> <br />Program #3. Teleways Radio Productions syndication. Commercials added locally. Cora Rogers, an aspiring and blackmailing actress, has been killed. It looks, however, like murder! Michael Dunn, Joanne Johnson. 25:17. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	Danger, Dr Danfield was first broadcast on August 18, 1946 and
consisted of 26 episodes with the last one being April 13, 1947. All
episodes are available. It starred Michael Dunn as Dr. Danfield, with
JoAnne Johnson as Rusty Fairfax, his secretary. The series was written
by Ralph Wilkinson and produced by Wally Ramsey. This series
consistently featured some of the worst acting and writing of any
detective show to reach the airwaves. The show had a formula with the
crime usually being committed in the first third of the program, the
good doctor solving it in the second third, and then pedantically
explaining the solution to someone (usually his &quot;pretty, young&quot;
secretary, Rusty) in the conclusion. Dr. Daniel Danfield was an
obnoxious unlicensed private investigator/criminal psychologist with
an ego complex. Why Rusty would put up with this guy is beyond
understanding. In this case, love is not only blind, but also deaf and
dumb. But then, Rusty was no prize package either. In fact, the most
complex person on the show is Dr. Dan Danfield's pretty young
secretary, Miss Rusty Fairfax. Why does Dr. Dan always call her Miss
Fairfax? Dr. Dan goes to extremes to keep her at arm's length, but
it's obvious he's just taunting her. After all, he's a criminal
psychologist, and the way he treats Rusty is criminal! She can flare
up, but usually just slow simmers in her professionally feminine way.
Too bad one of the bad guys wasn't able to rub both of them out but
these crooks were incredibly inept. Unfortunately, the toughs,
society-types in trouble and the necessary law enforcement officers in
this series, are nearly as individual as furniture in a model home.
Still, if mindless detective drama is what you're looking for and
you've tried the rest, then let Dr. Dan Danfield give you a little of
a criminal psychologist's caseload. The show makes good drive-time or
casual listening, since it doesn't make great demands on the emotions
or intellect.

	Show Notes From THE OLD TIME RADIO RESEARCHER'S GROUP

	THIS EPISODE:
Program #3. Teleways Radio Productions syndication. Commercials added
locally. Cora Rogers, an aspiring and blackmailing actress, has been
killed. It looks, however, like murder! Michael Dunn, Joanne Johnson.
25:17.

</itunes:summary>
			<pubDate>Wed, 11 Jun 2008 17:24:55 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1946-1947, ABC, adventure, B.Camardella, Blackmail, Blue Network, cbs, comedy, Cora Rogers, D.Humphrey</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/115348/otrsuspense-115348-06-11-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/115348/otrsuspense-115348-06-11-2008.mp3" length="6140387" type="audio/mpeg" />
		</item>
		<item>
			<title>This Is Your FBI  &quot;The Tin Can Killing&quot; (03-02-51)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=115167&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="2"><strong>This Is Your FBI </strong>was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it &quot;the finest dramatic program on the air.&quot; Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.</font></p> <p><font face="times new roman,times" size="2"> <br /><strong>THIS EPISODE:</strong> <br />March 2, 1951. ABC net. &quot;<em><strong>The Tin Can Killing</strong></em>&quot;. Sponsored by: The Equitable Life Assurance Society. A plane crash on an indian reservation leads to murder. A bullet and a tin can provide the FBI with the needed clues. The system cue is added live. Stacy Harris, William Woodson (narrator), Larry Keating (announcer), Parley Baer, Peggy Webber, Carleton Young, James Dobson, Harry Carey, Frederick Steiner (composer, conductor), Jerry Devine (producer), Jerry D. Lewis (writer), Ben Welden. 29:34. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	This Is Your FBI was a radio crime drama which aired in the United
States on ABC from April 6, 1945 to January 30, 1953. FBI chief J.
Edgar Hoover gave it his endorsement, calling it &quot;the finest dramatic
program on the air.&quot; Producer-director Jerry Devine was given access
to FBI files by Hoover, and the resulting dramatizations of FBI cases
were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and
William Woodson (1948-53). Stacy Harris had the lead role of Special
Agent Jim Taylor. Others in the cast were William Conrad, Bea
Benaderet and Jay C. Flippen.

THIS EPISODE:
March 2, 1951. ABC net. &quot;The Tin Can Killing&quot;. Sponsored by: The
Equitable Life Assurance Society. A plane crash on an indian
reservation leads to murder. A bullet and a tin can provide the FBI
with the needed clues. The system cue is added live. Stacy Harris,
William Woodson (narrator), Larry Keating (announcer), Parley Baer,
Peggy Webber, Carleton Young, James Dobson, Harry Carey, Frederick
Steiner (composer, conductor), Jerry Devine (producer), Jerry D. Lewis
(writer), Ben Welden. 29:34.

</itunes:summary>
			<pubDate>Tue, 10 Jun 2008 00:01:04 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1945 to 1953, ABC, adventure, B.Camardella, Ben Welden, Blue Network, Carleton Young, cbs, comedy, Cop</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/115167/otrsuspense-115167-06-10-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/115167/otrsuspense-115167-06-10-2008.mp3" length="7204302" type="audio/mpeg" />
		</item>
		<item>
			<title>Suspense  &quot;Hands Of Doctor Ottermole&quot; (12-02-48)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=114859&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="2"><strong>Suspense </strong>was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as &quot;radio's outstanding theater of thrills.&quot; It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were &quot;The Man who Went Back to Save Lincoln&quot; (a time travel fantasy), and an adaptation of &quot;Donovan's Brain&quot;. <br /> <br /><strong>THIS EPISODE:</strong> <br />December 2, 1948. CBS net. &quot;<em><strong>The Hands Of Mr. Ottermole</strong></em>&quot;. Sponsored by: Auto-Lite. A &quot;strangler&quot; is prowling the streets of London, killing at will. A police sergeant is suspicious of &quot;Mr. Newspaperman,&quot; who always seems to be nearby when the &quot;strangler&quot; strikes. Claude Rains, Thomas Burke (author), Ken Crossen (adaptor), Vincent Price, Verna Felton, Raymond Lawrence, Paul Frees (announcer), Harlow Wilcox (commercial spokesman), William Johnstone (commercial spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor). 29:45.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>Suspense was one of the premier programs of the Golden Age of Radio
(aka old-time radio), and advertised itself as &quot;radio's outstanding
theater of thrills.&quot; It was heard in one form or another from 1942
through 1962. There were approximately 945 episodes broadcast during
its long run, over 900 of which are extant in mostly high-quality
recordings. Suspense went through several major phases, characterized
by different hosts, sponsors and director/producers. There were a few
rules which were followed for all but a handful of episodes:
Protagonists were usually a normal person suddenly dropped into a
threatening or bizarre situation. Evildoers must be punished in the
end. The program made only occasional forays into science fiction and
fantasy. Among its science fiction entries were &quot;The Man who Went Back
to Save Lincoln&quot; (a time travel fantasy), and an adaptation of
&quot;Donovan's Brain&quot;.

THIS EPISODE:
December 2, 1948. CBS net. &quot;The Hands Of Mr. Ottermole&quot;. Sponsored
by: Auto-Lite. A &quot;strangler&quot; is prowling the streets of London,
killing at will. A police sergeant is suspicious of &quot;Mr.
Newspaperman,&quot; who always seems to be nearby when the &quot;strangler&quot;
strikes. Claude Rains, Thomas Burke (author), Ken Crossen (adaptor),
Vincent Price, Verna Felton, Raymond Lawrence, Paul Frees (announcer),
Harlow Wilcox (commercial spokesman), William Johnstone (commercial
spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor).
29:45.</itunes:summary>
			<pubDate>Fri, 06 Jun 2008 20:07:17 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1942 to 1962, ABC, adventure, Auto-Lite, B.Camardella, bizarre, Blue Network, cbs, Claude Rains, comedy</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/114859/otrsuspense-114859-06-06-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/114859/otrsuspense-114859-06-06-2008.mp3" length="7238053" type="audio/mpeg" />
		</item>
		<item>
			<title>Cloak And Dagger  &quot;The Trap&quot; (07-09-50)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=114547&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="2"><strong>Cloak and Dagger </strong>- &quot;Are you willing to undertake a dangerous mission for the United States, knowing in advance you may never return alive?&quot; Cloak and Dagger first aired over the NBC network on May 7, 1950. It had a short run through the Summer on Sundays, changing to Fridays after its Summer run. The last show aired Oct. 22, 1950. This is the story of the WWII special governmental agency, the OSS, or Office of Strategic Services. Its mission was to develop and maintain spy networks throughout Europe and into Asia, while giving aid to underground partisan groups and developing espionage activities for Allied forces overseas.The show is based on the book of the same name by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated with the OSS from its early days.) The dramas are not Hollywood-style, in that they sometimes end with plans foiled or leading characters dead. </font></p> <p><font face="times new roman,times" size="2"> <br /><strong>THIS EPISODE:</strong> <br />July 9, 1950. NBC network. &quot;<em><strong>The Trap</strong></em>&quot;. Sustaining. 4:00 P. M. An O. S. S. operative is sent to a German-occupied town in France to find out if the Nazis really hid re-inforcements in the woods. The spy's abilities as a cartoonist is a definite plus, but his escape from the pursuing Nazis results in a wild flight. Virginia Payne, Raymond Edward Johnson, Karl Weber, Stefan Schnabel, Jerry Jarrett, Ralph Bell, Lotte Stavisky, Winifred Wolfe (writer), Jack Gordon, Jon Gart (music director), Corey Ford (originator), Alistair MacBain (originator), Louis G. Cowan (producer), Alfred Hollander (producer), Everett Sloane, Berry Kroeger, Sherman Marks (director, supervisor). 29:28.</font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	Cloak and Dagger - &quot;Are you willing to undertake a dangerous mission
for the United States, knowing in advance you may never return alive?&quot;
Cloak and Dagger first aired over the NBC network on May 7, 1950. It
had a short run through the Summer on Sundays, changing to Fridays
after its Summer run. The last show aired Oct. 22, 1950. This is the
story of the WWII special governmental agency, the OSS, or Office of
Strategic Services. Its mission was to develop and maintain spy
networks throughout Europe and into Asia, while giving aid to
underground partisan groups and developing espionage activities for
Allied forces overseas.The show is based on the book of the same name
by Lt. Col. Corey Ford and Major Alastair MacBain (who were associated
with the OSS from its early days.) The dramas are not Hollywood-style,
in that they sometimes end with plans foiled or leading characters
dead. 

THIS EPISODE:
July 9, 1950. NBC network. &quot;The Trap&quot;. Sustaining. 4:00 P. M. An O.
S. S. operative is sent to a German-occupied town in France to find
out if the Nazis really hid re-inforcements in the woods. The spy's
abilities as a cartoonist is a definite plus, but his escape from the
pursuing Nazis results in a wild flight. Virginia Payne, Raymond
Edward Johnson, Karl Weber, Stefan Schnabel, Jerry Jarrett, Ralph
Bell, Lotte Stavisky, Winifred Wolfe (writer), Jack Gordon, Jon Gart
(music director), Corey Ford (originator), Alistair MacBain
(originator), Louis G. Cowan (producer), Alfred Hollander (producer),
Everett Sloane, Berry Kroeger, Sherman Marks (director, supervisor).
29:28.</itunes:summary>
			<pubDate>Wed, 04 Jun 2008 19:16:55 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, Blue Network, cbs, Cloak and Dagger, comedy, D.Humphrey, drama, entertainment</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/114547/otrsuspense-114547-06-04-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/114547/otrsuspense-114547-06-04-2008.mp3" length="6699617" type="audio/mpeg" />
		</item>
		<item>
			<title>The Adventures Of The Falcon  &quot;The Case Of The Happy Hoodlum&quot; (01-14-51)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=114358&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="2">T<strong>he Adventures Of The Falcon</strong> - This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including &quot;The Killers&quot;, &quot;Spartacus&quot; and &quot;Cimarron&quot;; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was &quot;Falcon&quot;; Later Charles McGraw starred in a short lived TV version of &quot;Casablanca&quot; (1955 - 1956) in the character of Rick; He also had a role on the detective drama &quot;Staccato&quot; (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA. <br /> <br /><strong>THIS EPISODE:</strong> <br />January 14, 1951. NBC net. &quot;<em><strong>The Case Of The Happy Hoodlum</strong></em>&quot;. Sponsored by: Kraft. Not auditioned. For people who want to crash out of jail...murder can be a bad break! Drexel Drake (creator), Les Damon, Ed Herlihy (announcer), Bernard L. Schubert (producer), Richard Lewis (director), Arlo (music), Eugene Wang (writer), Ken Lynch. 31:18. <br /> <br /></font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Adventures Of The Falcon - This hard boiled spy drama began as an
RKO Radio Pictures theatrical serial in the 1940s, went on radio in
1945, and then came to TV ten years later in this Syndicated series
produced for distribution by NBC Films; Charles McGraw had been in
many motion pictures before and after including &quot;The Killers&quot;,
&quot;Spartacus&quot; and &quot;Cimarron&quot;; in this series he played the title role of
a man whose real name was supposedly Mike Waring, an American agent
whose code name was &quot;Falcon&quot;; Later Charles McGraw starred in a short
lived TV version of &quot;Casablanca&quot; (1955 - 1956) in the character of
Rick; He also had a role on the detective drama &quot;Staccato&quot; (1959)
Actor McGraw (whose birth name was Charles Butters) met an unfortunate
death in real life when he fell through a shower glass door in 1980 at
his home in Studio City, CA.

THIS EPISODE:
January 14, 1951. NBC net. &quot;The Case Of The Happy Hoodlum&quot;. Sponsored
by: Kraft. Not auditioned. For people who want to crash out of
jail...murder can be a bad break! Drexel Drake (creator), Les Damon,
Ed Herlihy (announcer), Bernard L. Schubert (producer), Richard Lewis
(director), Arlo (music), Eugene Wang (writer), Ken Lynch. 31:18.

</itunes:summary>
			<pubDate>Mon, 02 Jun 2008 21:37:13 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, Blue Network, cbs, comedy, D.Humphrey, drama, entertainment, Golden Age</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/114358/otrsuspense-114358-06-02-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/114358/otrsuspense-114358-06-02-2008.mp3" length="7275460" type="audio/mpeg" />
		</item>
		<item>
			<title>The Adventures Of Leonidas Witherall  &quot;The Corpse&quot; (04-22-45)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=114087&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="2"><strong>The Adventures of Leonidas Witherall </strong>was a radio mystery series broadcast on Mutual in the mid-1940s. Based on the novels of Phoebe Atwood Taylor (writing as Alice Tilton), the 30-minute dramas were produced by Roger Bower and starred Walter Hampden as Leonidas Witherall, a New England boys' school instructor in Dalton, Massachusetts, a fictional Boston suburb. Witherall, who resembled William Shakespeare, is an amateur detective and the accomplished author of the &quot;popular Lieutenant Hazeltine stories.&quot; His housekeeper Mrs. Mollett was played by Ethel Remey (1895-1979) and Jack MacBryde appeared as Police Sgt. McCloud. The announcer was Carl Caruso. Milton Kane supplied the music. The series began June 4, 1944 and continued until May 6, 1945. <br /> <br /><strong>THIS EPISODE:</strong> <br />April 22, 1945. Mutual network. &quot;<em><strong>The Corpse Meets A Deadline</strong></em>&quot;. Sustaining. Murder in a newspaper printing plant. Alice Tilton (creator), Ethel Remey, Howard Merrill (writer), Jack McBride, Roger Bower (director), Walter Hampden. 29:41.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Adventures of Leonidas Witherall was a radio mystery series
broadcast on Mutual in the mid-1940s. Based on the novels of Phoebe
Atwood Taylor (writing as Alice Tilton), the 30-minute dramas were
produced by Roger Bower and starred Walter Hampden as Leonidas
Witherall, a New England boys' school instructor in Dalton,
Massachusetts, a fictional Boston suburb. Witherall, who resembled
William Shakespeare, is an amateur detective and the accomplished
author of the &quot;popular Lieutenant Hazeltine stories.&quot; His housekeeper
Mrs. Mollett was played by Ethel Remey (1895-1979) and Jack MacBryde
appeared as Police Sgt. McCloud. The announcer was Carl Caruso. Milton
Kane supplied the music. The series began June 4, 1944 and continued
until May 6, 1945.

THIS EPISODE:
April 22, 1945. Mutual network. &quot;The Corpse Meets A Deadline&quot;.
Sustaining. Murder in a newspaper printing plant. Alice Tilton
(creator), Ethel Remey, Howard Merrill (writer), Jack McBride, Roger
Bower (director), Walter Hampden. 29:41.</itunes:summary>
			<pubDate>Fri, 30 May 2008 14:36:27 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1940&#039;s, 1944 to 1945, ABC, adventure, Alice Tilton, April 22, 1945, B.Camardella, Blue Network, Boston Suburb, Carl Caruso</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/114087/otrsuspense-114087-05-30-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/114087/otrsuspense-114087-05-30-2008.mp3" length="6673285" type="audio/mpeg" />
		</item>
		<item>
			<title>The Silent Men  &quot;The Miracle Cure&quot; (05-14-52)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=113890&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="2"><strong>The Silent Men</strong> - Douglas Fairbanks, Jr. played the parts of &quot;special agents of all branches of the federal government, who daily risk their lives to protect the lives of all of us... to guard our welfare and our liberties, they must remain nameless - The Silent Men!&quot; At each episode, Fairbanks checked in with his chief, played by either William Conrad or Herb Butterfield. Regulars included Virginia Gregg, Raymond Burr, Lou Merrill, Lurene Tuttle, Paul Frees and John Dehner. Don Stanley was the announcer. The show was produced and directed by Warren Lewis, who wrote many of the scripts along with Joel Murcott. The series ran on NBC. <br /> <br /><strong>THIS EPISODE:</strong> <br />May 14, 1952. NBC network. &quot;<em><strong>The Miracle Cure For Cancer</strong></em>&quot;. Sustaining. Not auditioned. A story of heartbreak, fraud and the United States mail. The story title is referred to as, &quot;A Miracle Cure&quot; on the previous week's program, &quot;Miracle Cure&quot; at the start of the program, and &quot;The Case Of The Miracle Cure&quot; at the end of the program. Warren Lewis (writer, producer, director), Lou Rusoff (writer), Jan Arvan, Ralph Moody, Noreen Gammill, Dal McKennon, Gloria Ann Simpson, Douglas Fairbanks Jr., Don Stanley (announcer). 29:49.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>The Silent Men - Douglas Fairbanks, Jr. played the parts of &quot;special
agents of all branches of the federal government, who daily risk their
lives to protect the lives of all of us... to guard our welfare and
our liberties, they must remain nameless - The Silent Men!&quot; At each
episode, Fairbanks checked in with his chief, played by either William
Conrad or Herb Butterfield. Regulars included Virginia Gregg, Raymond
Burr, Lou Merrill, Lurene Tuttle, Paul Frees and John Dehner. Don
Stanley was the announcer. The show was produced and directed by
Warren Lewis, who wrote many of the scripts along with Joel Murcott.
The series ran on NBC.

THIS EPISODE:
May 14, 1952. NBC network. &quot;The Miracle Cure For Cancer&quot;. Sustaining.
Not auditioned. A story of heartbreak, fraud and the United States
mail. The story title is referred to as, &quot;A Miracle Cure&quot; on the
previous week's program, &quot;Miracle Cure&quot; at the start of the program,
and &quot;The Case Of The Miracle Cure&quot; at the end of the program. Warren
Lewis (writer, producer, director), Lou Rusoff (writer), Jan Arvan,
Ralph Moody, Noreen Gammill, Dal McKennon, Gloria Ann Simpson, Douglas
Fairbanks Jr., Don Stanley (announcer). 29:49.</itunes:summary>
			<pubDate>Wed, 28 May 2008 18:00:50 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, Blue Network, cbs, comedy, crime, Criminal, D.Humphrey, Dal McKennon</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/113890/otrsuspense-113890-05-28-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/113890/otrsuspense-113890-05-28-2008.mp3" length="7188128" type="audio/mpeg" />
		</item>
		<item>
			<title>The Lives Of Harry Lime  &quot;In Pursuit Of A Ghost&quot; (11-16-51)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=113711&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="2"><strong>The Third Man (The Lives of Harry Lime) </strong>was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.</font></p> <p><font face="times new roman,times" size="2"> <br /><strong>THIS EPISODE:</strong> <br />November 16, 1951. Program #16. Lang-Worth syndication. &quot;<em><strong>In Pursuit Of A Ghost</strong></em>&quot;. Commercials added locally. In the Fall of 1945, Harry gets involved with a Central American revolution...and &quot;El Zorro!&quot; Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 27:30. <br /> <br /></font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Third Man (The Lives of Harry Lime) was a old-time radio
adventure series that ran in 1951 and 1952. It was based on the 1949
film of the same name. Orson Welles stars as Harry Lime, a perpetually
broke confidence man, smuggler, and general scoundrel. He will
participate in virtually any criminal activity to make a fast buck,
but uses his wits rather than a gun. He draws the line short of
murder, blackmail, or drugs. Even so, Harry is an endearing character
and listeners love to hear of his one-step-ahead-of-the-law
misadventures as he hops around the globe looking for his next pigeon.
The zither music of Anton Karas adds a wonderful Viennese ambience to
each episode and really makes this show special.

THIS EPISODE:
November 16, 1951. Program #16. Lang-Worth syndication. &quot;In Pursuit
Of A Ghost&quot;. Commercials added locally. In the Fall of 1945, Harry
gets involved with a Central American revolution...and &quot;El Zorro!&quot;
Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig
Roe (director). 27:30.

</itunes:summary>
			<pubDate>Mon, 26 May 2008 21:23:38 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1951 to 1952, ABC, adventure, Anton Karas, B.Camardella, Blue Network, cbs, comedy, confidence man, D.Humphrey</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/113711/otrsuspense-113711-05-26-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/113711/otrsuspense-113711-05-26-2008.mp3" length="7044851" type="audio/mpeg" />
		</item>
		<item>
			<title>Suspense  &quot;You&#039;ll Never See Me Again&quot; (9-05-46)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=113505&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="2"><strong>Suspense</strong> was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as &quot;radio's outstanding theater of thrills.&quot; It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were &quot;The Man who Went Back to Save Lincoln&quot; (a time travel fantasy), and an adaptation of &quot;Donovan's Brain&quot;. <br /> <br /><strong>THIS EPISODE:</strong> <br />September 14, 1944. CBS network. &quot;<em><strong>You'll Never See Me Again</strong></em>&quot;. Sponsored by: Roma Wines. Wifey goes home to mother... with a surprise ending. The story was subsequently produced on &quot;Suspense&quot; on September 5, 1946. Cornell Woolrich (writer), John McIntire, Joseph Cotten, Joseph Kearns (&quot;The Man In Black&quot;), Lurene Tuttle, Wally Maher, William Spier (adaptor, producer, director), Truman Bradley (commercial spokesman), Lucien Moraweck (composer), Lud Gluskin (conductor). 1/2 hour.</font> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>Suspense was one of the premier programs of the Golden Age of Radio
(aka old-time radio), and advertised itself as &quot;radio's outstanding
theater of thrills.&quot; It was heard in one form or another from 1942
through 1962. There were approximately 945 episodes broadcast during
its long run, over 900 of which are extant in mostly high-quality
recordings. Suspense went through several major phases, characterized
by different hosts, sponsors and director/producers. There were a few
rules which were followed for all but a handful of episodes:
Protagonists were usually a normal person suddenly dropped into a
threatening or bizarre situation. Evildoers must be punished in the
end. The program made only occasional forays into science fiction and
fantasy. Among its science fiction entries were &quot;The Man who Went Back
to Save Lincoln&quot; (a time travel fantasy), and an adaptation of
&quot;Donovan's Brain&quot;.

THIS EPISODE:
September 14, 1944. CBS network. &quot;You'll Never See Me Again&quot;.
Sponsored by: Roma Wines. Wifey goes home to mother... with a surprise
ending. The story was subsequently produced on &quot;Suspense&quot; on September
5, 1946. Cornell Woolrich (writer), John McIntire, Joseph Cotten,
Joseph Kearns (&quot;The Man In Black&quot;), Lurene Tuttle, Wally Maher,
William Spier (adaptor, producer, director), Truman Bradley
(commercial spokesman), Lucien Moraweck (composer), Lud Gluskin
(conductor). 1/2 hour.</itunes:summary>
			<pubDate>Fri, 23 May 2008 21:42:38 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, B.Camardella, Blue Network, cbs, comedy, Cop, Cornell Woolrich, crime, Criminal</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/113505/otrsuspense-113505-05-23-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/113505/otrsuspense-113505-05-23-2008.mp3" length="7272221" type="audio/mpeg" />
		</item>
		<item>
			<title>In The Name Of The Law  &quot;Nothing Ever Happens In Chinatown&quot; (7-26-36)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=113221&amp;tId=2</link>
			<description><![CDATA[  <p><font face="times new roman,times" size="2">True Crime (1936) <br /><strong>In the Name of the Law</strong> was a True Crime radio show from 1936. It says &quot;In the name of the law, we bring you another of the thrilling stories in this exciting series, taken from actual police case files. &quot;In the name of the Law, we bring you another of the thrilling stories in this exciting series, taken from actual police case files.&quot;Mrs Mary James found dead in her pool 8-05-35. Her husband Bob is suspected. He had been married several times before and a previous wife was also found dead under suspicious circumstances. Police investigation led to the Killer's arrest. Was it  Bob James?</font></p> <p> <font face="times new roman,times" size="2"> <br /><strong>THIS EPISODE:</strong> <br />Nothing Ever Happens In Chinatown (7-26-36) - Syndicated. Commercials added locally. In Chicago's Chinatown, merchant Wong Fu has been shot to death. A detective, who speaks Chinese, sees that truth and justice will triumph. . 25:12.</font></p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	True Crime (1936)
In the Name of the Law was a True Crime radio show from 1936. It says
&quot;In the name of the law, we bring you another of the thrilling stories
in this exciting series, taken from actual police case files. &quot;In the
name of the Law, we bring you another of the thrilling stories in this
exciting series, taken from actual police case files.&quot;Mrs Mary James
found dead in her pool 8-05-35. Her husband Bob is suspected. He had
been married several times before and a previous wife was also found
dead under suspicious circumstances. Police investigation led to the
Killer's arrest. Was it  Bob James?

THIS EPISODE:
Nothing Ever Happens In Chinatown (7-26-36) - Syndicated. Commercials
added locally. In Chicago's Chinatown, merchant Wong Fu has been shot
to death. A detective, who speaks Chinese, sees that truth and justice
will triumph. . 25:12.</itunes:summary>
			<pubDate>Wed, 21 May 2008 21:14:52 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>1936, ABC, adventure, B.Camardella, Blue Network, cbs, chicago, comedy, Cop, Court</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/113221/otrsuspense-113221-05-21-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/113221/otrsuspense-113221-05-21-2008.mp3" length="5995982" type="audio/mpeg" />
		</item>
		<item>
			<title>The Devil And Mr. O  &quot;Shrinking People&quot; (03-10-72)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=112890&amp;tId=2</link>
			<description><![CDATA[  <p><strong>The Devil And Mr O</strong> - With its premiere on the nationwide NBC hookup in 1935, Lights Out was billed &quot;the ultimate in horror.&quot; Never had such sounds been heard on the air. Heads rolled, bones were crushed, people fell from great heights and splattered wetly on pavement. There were garrotings, choking, heads split by cleavers, and, to a critic at Radio Guide, &quot;the most monstrous of all sounds, human flesh being eaten.&quot; Few shows had ever combined the talents of actors and imaginative writers so well with the graphic art of the sound technician. Wyllis Cooper, who created, wrote, and produced it, was then a 36-year-old staffer in Chicago's NBC Studios. Cooper created his horror &quot;by raiding the larder.&quot; For the purposed of Lights Out sound effects, people were what they ate. The sound of a butcher knife rending a piece of uncooked pork was, when accompanied by shrieks and screams, the essence of murder to a listener alone at midnight. Real bones were broken - spareribs snapped with a pipe wrench. Bacon in a frypan gave a vivid impression of a body just electrocuted. And the cannibalism effect was actually a zealous actor. Gurgling and smacking his lips as he slurped up a bowl of spaghetti. Cabbages sounded like human heads when chopped open with a cleaver, and carrots had the pleasant resonance of fingers being lopped off. Arch Oboler's celebrated tale of a man turned inside-out by a demonic fog was accomplished by soaking a rubber glove in water and stripping it off at the microphone while a berry basket was curshed at the same instant. The listener saw none of this. The listener saw carnage and death. Cooper left the show in 1936 and Oboler was given the job. Oboler lost no time establishing himself as the new master of the macabre. Between May 1936 and July 1938, he wrote and directed more than 100 Lights Out plays. To follow Cooper was a challenge: he was &quot;the unsung pioneer of radio dramatic techniques,&quot; but Oboler had passed the test with his first play. His own name soon became synonymous with murder and gore, though horror as a genre had always left him cold. Oboler aspired to more serious writing. Oboler's shows are well represented -- this series of Lights Out was syndicated in The Devil and Mr. O offerings of 1970 - 73. A transcribed syndication of original broadcasts from 1942 - 43 with Arch Oboler as the host.</p> <p>The Above Text From the <a href="http://otrr.org/">Old Time Radio Researcher's Group</a>. </p> ]]></description>
			<itunes:subtitle></itunes:subtitle>
			<itunes:summary>

	The Devil And Mr O - With its premiere on the nationwide NBC hookup
in 1935, Lights Out was billed &quot;the ultimate in horror.&quot; Never had
such sounds been heard on the air. Heads rolled, bones were crushed,
people fell from great heights and splattered wetly on pavement. There
were garrotings, choking, heads split by cleavers, and, to a critic at
Radio Guide, &quot;the most monstrous of all sounds, human flesh being
eaten.&quot; Few shows had ever combined the talents of actors and
imaginative writers so well with the graphic art of the sound
technician. Wyllis Cooper, who created, wrote, and produced it, was
then a 36-year-old staffer in Chicago's NBC Studios. Cooper created
his horror &quot;by raiding the larder.&quot; For the purposed of Lights Out
sound effects, people were what they ate. The sound of a butcher knife
rending a piece of uncooked pork was, when accompanied by shrieks and
screams, the essence of murder to a listener alone at midnight. Real
bones were broken - spareribs snapped with a pipe wrench. Bacon in a
frypan gave a vivid impression of a body just electrocuted. And the
cannibalism effect was actually a zealous actor. Gurgling and smacking
his lips as he slurped up a bowl of spaghetti. Cabbages sounded like
human heads when chopped open with a cleaver, and carrots had the
pleasant resonance of fingers being lopped off. Arch Oboler's
celebrated tale of a man turned inside-out by a demonic fog was
accomplished by soaking a rubber glove in water and stripping it off
at the microphone while a berry basket was curshed at the same
instant. The listener saw none of this. The listener saw carnage and
death. Cooper left the show in 1936 and Oboler was given the job.
Oboler lost no time establishing himself as the new master of the
macabre. Between May 1936 and July 1938, he wrote and directed more
than 100 Lights Out plays. To follow Cooper was a challenge: he was
&quot;the unsung pioneer of radio dramatic techniques,&quot; but Oboler had
passed the test with his first play. His own name soon became
synonymous with murder and gore, though horror as a genre had always
left him cold. Oboler aspired to more serious writing. Oboler's shows
are well represented -- this series of Lights Out was syndicated in
The Devil and Mr. O offerings of 1970 - 73. A transcribed syndication
of original broadcasts from 1942 - 43 with Arch Oboler as the host.

	The Above Text From the Old Time Radio Researcher's Group [1]. 

Links:
------
[1] http://otrr.org/
</itunes:summary>
			<pubDate>Mon, 19 May 2008 17:13:28 -0700</pubDate>
			<category>Podcast</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:keywords>ABC, adventure, Arch Oboler, B.Camardella, Blue Network, cbs, comedy, D.Humphrey, drama, entertainment</itunes:keywords>			<guid>http://m.podshow.com/media/1408/episodes/112890/otrsuspense-112890-05-19-2008.mp3</guid>
			<enclosure url="http://m.podshow.com/media/1408/episodes/112890/otrsuspense-112890-05-19-2008.mp3" length="6976014" type="audio/mpeg" />
		</item>
		<item>
			<title>Calling All Cars  &quot;Murder At Southgate&quot; (5-02-34)</title>
			<itunes:author>Humphrey/Camardella</itunes:author>
			<link>http://www.mevio.com/view/?kId=112632&amp;tId=2</link>
			<description><![CDATA[ <font face="times new roman,times" size="2"><strong>Calling All Cars</strong> was one of radio’s earliest cop shows, dramatizing true crime stories and introduced by officers from the Los Angeles and other police departments. The narrator of the program was speech professor Charles Frederick Lindsley, and the only other regular voice heard on the program week after week belonged to 