New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ...some of the most memorable songs of the past decade.

Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with.

Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day.

Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form.

"Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is."

That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart.

As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired."

With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore.

"It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome."

In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later."

Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together."

And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!"

New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far.

"New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart."

New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ...some of the most memorable songs of the past decade.

Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with.

Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day.

Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form.

"Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is."

That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart.

As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired."

With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore.

"It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome."

In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later."

Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together."

And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!"

New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far.

"New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart."

New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ...some of the most memorable songs of the past decade.

Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with.

Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day.

Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form.

"Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is."

That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart.

As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired."

With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore.

"It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome."

In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later."

Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together."

And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!"

New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far.

"New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart."

New found energy, new found purpose: that's what Not Without A Fight is all about. The first New Found Glory album to bear the Epitaph logo brims with fresh promise, showcasing a band comfortable in their own skin and eager to get back to basics and present it all to the world. Not Without A Fight is arguably the strongest addition to an impressive catalog with no less than three gold records and ...some of the most memorable songs of the past decade.

Album opener "Right Where We Left Off" is an instant reminder of the keen self-awareness that endeared New Found Glory to millions of fans worldwide in the first place. And naming their album Not Without A Fight? That's a nod to that other side of the group Epitaph owner Brett Gurewitz called "the greatest pop-punk band in history," the side that is scrappy, that's from the do-it-yourself scene. The side of a band who probably never should have been lumped in with some of the more teeny-bop friendly fare they've often shared the rock radio and TRL charts with.

Lead single "Listen to Your Friends" flips the script by rocking a verse even catchier than its chorus; "I'll Never Love Again" boasts a killer singalong. "47" has a hooky scream that breaks new ground for the Florida-bred five-some while "Truck Stop Blues" summons the potent urgency of the burgeoning scene that New Found Glory arose from, recalling a bygone era when they shared small stages with their friends in Get Up Kids, Piebald and Saves The Day.

Not Without A Fight packs together the best elements of fan favorite albums like Sticks and Stones (2002) and Catalyst (2004) with a reinvigorated drive making for a declaration that's fresh and timely. There's pop, there's punk, there's crunch, there's those irrepressible melodies and Jordan Pundik's instantly recognizable voice is in fine form.

"Nobody in New Found Glory loves anything as much as this band," says guitarist Chad Gilbert, by way of explanation as to how they have managed to maintain the same lineup - Pundik, Gilbert, Steven Klein (guitar), Ian Grushka (bass) and Cyrus Bolooki (drums) - for over ten years. "You fight with your mom. You don't hang out with her all the time. But you love her! You're never going to hate her. We're family. It might sound cliche, but that's what it is."

That family first came together in Coral Springs, Florida in 1997. Nothing Gold Can Stay (1999) and New Found Glory (2000) became classics thanks to hard-touring and good natured relationship building the world over, which ensured the next two albums (Sticks and Stones and Catalyst) would both debut in the Top 5 on the Billboard 200 chart.

As happens all too often, the uber-successful and beloved band found themselves delivering Coming Home to a group of relative strangers who lacked the same investment in them as before. By 2006, many of the folks who worked with the band at the label had been replaced by new faces, from the president on down. "At major labels, people are always losing their jobs," Gilbert points out. "Someone can love your band one week and the next week that person is fired."

With their recording contract fulfilled and in between management, New Found Glory seized the opportunity to have some fun while weighing their options, releasing From the Screen to Your Stereo Part II (something their most ardent supporters had demanded for years) and a split EP with their alter-ego, International Superheroes Of Hardcore.

"It brought this different attention to our band that we hadn't had in a while," Gilbert says. "Through the major label years, some of those lines got blurred because of some of the things the label did representing our band. With the release on Bridge 9 Records, we were able to do things how we wanted to do them. It was awesome."

In the midst of all of this, the band continued to write their next album, which they ultimately decided to record before choosing a new label. That's where +44 / Blink 182's Mark Hoppus came in, agreeing to produce Not Without A Fight at the studio he co-owns with Travis Barker. "He's an old friend of ours," Gilbert explains. "We had no money to make the record so we wanted someone with the confidence to do the album for free and get reimbursed later."

Eventually, of course, the label situation needed sorted out, as the guys in New Found Glory have no desire to be in any kind of "business" other than than business of writing great songs, recording them and playing them live. "When we announced that we were no longer signed to Geffen two years ago, Brett Gurewitz was the first one to call me," Gilbert remembers. "'People at Epitaph are all music fans and have their shit together."

And as for that spectacular accolade from the man running their new record label home? "It's crazy!" Chad says, laughing. "The Descendents could take that crown way before we could, or Screeching Weasel, or Green Day. I don't know why he said that! He's crazy. It's flattering. It's really flattering. But I don't know what to say!"

New Found Glory's first Epitaph album has no guest appearances, no frills, nothing but fantastic songs and powerful performances. "If you really listen to our music, you can't pigeonhole it. We play music that we love." Not Without A Fight is alternately the band's most streamlined and direct but powerful and broad album thus far.

"New Found Glory is back to where we want it to be: we tour, we play music and it's from the heart."

About

About

For the entire performance CLICK HERE

Graffiti6 Links: 

FACEBOOK     TWITTER      YOUTUBE     JUSTIN.TV     SPOTIFY

In this episode of Mevio Underground, Jamie Scott performs "Over You" - from Graffiti6's debut album "Colours." This live performance amply demonstrates Scott's triple threat talents as a singer, songwriter and pianist.

Scott's work with his Graffiti6 partner in crime TommyD began as a solo project, but soon morphed into a synergistic  collaboration that has suprised both men, and delighted listeners in the UK and the U.S.

The band is currently touring in the States, with more dates just announced for January.

• 17th Anaheim, CA- House of Blues
• 18th Los Angeles, CA- El Rey Theatre
• 19th San Francisco, CA- Great American Music Hall
• 21st Seattle, WA- Crocodile
• 22nd Portland, OR- Doug Fir Lounge
• 24th Salt Lake City, UT- Club Sound
• 25th Denver, CO- Bluebird Theater
• 27th Minneapolis, MN- Varsity Theater
• 28th Chicago, IL- Park West
• 30th Ann Arbor, MI- Blind Pig
• 31st Boston, MA- Paradise Rock Club

Here's the track listing for Colours.

• Stone in My Heart
• Annie You Save Me
• Stare Into The Sun
• This Man
• Free
• Calm The Storm
• Colours
• Goodbye Geoffrey Drake
• Never Look Back
• Stop Mary
• Lay Me Down
• Over You 

For the entire performance CLICK HERE

Graffiti6 Links: 

FACEBOOK     TWITTER      YOUTUBE     JUSTIN.TV     SPOTIFY 

In this episode of Mevio Underground, Jamie Scott performs "Free" - the title track from the latest Graffiti6 EP which was released on October 11th.

Scott and his Graffiti6 partner, TommyD (as in Danvers), began working together a couple years ago. Initially, Danvers (who had produced Right Said Fred's megahit "I'm Too Sexy") was simply going to produce Scott as a solo artist, but they realized quickly that the collaboration went beyond that restraint. They began writing together, and the sound they made was one that "neither one could make without the other" according to Danvers. Graffiti6 was born.

This live performance of "Free" finds Jamie Scott on acoustic guitar, his second instrument (he started on piano as a kid).

Here's the track listing from the EP.

• Free (Edit)
• Free (Stripped)
• Lay Me Down (Stripped)
• Annie You Save Me (Stripped)
• Stone In My Heart (Stripped)
• Blue Ridge Mountains
• Foxes

Graffiti6 is currently on tour throughout December, and will head out again in January as guests to Augustana. Here are the December tour dates.

• 1-Dec Cosmopolitan Las Vegas, NV
• 2-Dec Roseland Theater Portland, OR
• 4-Dec 3rd and Lindsey Nashville, TN
• 5-Dec The WorkPlay Theatre Birmingham, AL
• 7-Dec Local 506 Chapel Hill, NC
• 8-Dec The Camel Richmond, VA
• 9-Dec Sound Stage Baltimore Baltimore, MD
• 10-Dec Rams Head On Stage Annapolis, MD
• 11-Dec World Cafe Live Philadelphia, PA
• 13-Dec Rockwood Music Hall - Stage 2 New York, NY
• 14-Dec T. T. The Bears Cambridge, MA
• 15-Dec Empire Dine & Dance Portland, ME
• 17-Dec Ninth Ward Buffalo, NY
• 18-Dec Club Cafe Pittsburgh, PA
• 20-Dec The Basement Columbus, OH
• 21-Dec Cosmic Charlie's Lexington, KY
• 22-Dec Schubas Tavern Chicago, IL 

 Jamie Scott from Britain's Graffit6 performs live in Studio B of Mevio in San Francisco

Graffiti6 Links: 

FACEBOOK     TWITTER      YOUTUBE     JUSTIN.TV     SPOTIFY

Jamie Scott from Graffiti6 dropped by Mevio's Studio B for a live performance in November 2011. Here are two of the songs he played, "Over You" and "Free."

Jamie Scott first came to prominence in a band called "Jamie Scott and the Town." He has performed and toured with artists such as Alicia Keys, Ryan Adams and Kelly Clarkson. His soulful voice and delivery have been compared to R&B greats like Donny Hathaway and Marvin Gaye, while his songwriting is in the tradition of the best 1970s Folk-Pop.

In 2008 he began a collaboration with producer and songwriter TommyD that would eventually become Graffiti6. They've produced several EPs, singles and one full length album together.

Discography:

• Stare Into the Sun (sampler) - 2009
• Stone In My Heart (EP) - 2010
• Annie You Save Me (single) - 2010
• Colours (Full Length Album) - 2010
• Free (EP) - 2011 

Scott began playing piano when he was 7 years old in his native Great Britain. His talent and dedication to the keyboard is evident in this performance of "Over You" which was one of the standout songs on Graffiti6's debut album "Colours."

The performance of "Free" in this live set at Mevio Underground demonstrates his equal proficiency on guitar. Whichever instrument he uses to accompany himself, that crystal clear voice is unmistakable.

It ought to be said that these songs are also marvelous, which should be no surprise since he began his music career writing for others, as he continues to do today as well.

Enjoy these rare, unembellished live Graffiti6 performances from Studio B. 

About Turbid North:

“I was reading a book of Alaskan survival stories and one of the stories struck me as an inspiration” Nick Forkel (guitar/vocal) of Turbid North relates the inspiration to the band’s new album “Orogeny.”  “It was the story of this hunter who was trapped in the wilderness at the height of winter and things got worse and worse for him.  His will to survive and his hunter’s instinct helped him to overcome this hell and the album follows that.  It’s about overcoming the odds no matter how grim and the survival instinct we all have.”  Self-proclaimed Alaskan mountain metal Turbid North’s sound retains the galloping thrash of early 80’s period of bands like Metallica and Kreator, the technical and abrasive shredding of modern death metal and even moments of bluesy and flowing solos reminiscient of Randy Rhoades period Ozzy.  The songs are as epic as the storyline of the hunter and the fully painted artwork that adorns each page reflects the story.  The artwork was done by Alex Rydlinski (guitar) and even contains a lost touchstone of metal, the bad-ass mascot (see pic above) “We call him Snow Death” says Forkel, “he represents old man winter throwing everything he can to make the hunter fail.”

The story of Turbid North parallels the hunter as they both have a strong drive to survive and meet challenges.  The band started in North Pole, Alaska back in 2001 right near Fairbanks.  Original members Forkel, Rydlinski and his brother Adam Rydlinski (drums) were accomplished musicians with Adam even spending time in the Alaskan Symphony Orchestra.  “We quickly made it to the top of the Fairbanks metal scene” says Forkel “but there was really no where to go from there.”  Though big acts in the world of heavy music rarely came, when they did come Turbid North were selected as the opening band.  The group opened for Darkest Hour, Godsmack (twice), Adema and their show with Drowning Pool changed their lives.  “The guys in Drowning Pool watched us and said you guys are great but you’ll never make it if you stay here.  They told us that the scene in their home area of Dallas/Ft Worth Texas was great and that we could really make a name out there.”  The band worked full time as Lumber Jacks saving up all their money and a little over three years ago picked up and moved to Fort Worth, Texas.

The band entrenched themselves in the live music scene, making a sizeable dent in the Texas metal scene building a respectable audience.  Leaving their original bassist in Alaska, the band came to the attention of Chris O’Toole, who recently moved from the UK to Texas strangely enough.  O’Toole sent audition videos from the UK to the band and joined their ranks.  In 2009 the original vocalist left to return to Alaska and his replacement was Brian McCoy, ex vocalist of Debri, who won the Ozzfest Battle Of The Bands in 2008.  Today the band lives together in the same house where they recorded Orogeny in their home studio by Forkel.  They have done multiple regional tours through the Texas and surrounding areas playing with such artists as Goatwhore and Skeletonwitch.
The band plans to embark on another tour this fall and a video paralleling the album’s story is in the works.

Members:
Chris O’Toole – Bass
Nick Forkel – Guitar
Brian McCoy – Vocals
Alex Rydlinksi – Guitar
Adam Rydlinski – Drums

Discography
“Under the Eight” (2008)
“Orogeny” (2010)

Links
http://www.myspace.com/turbidnorth
MySpace
Facebook
Last.fm
Twitter

About Turbid North:

“I was reading a book of Alaskan survival stories and one of the stories struck me as an inspiration” Nick Forkel (guitar/vocal) of Turbid North relates the inspiration to the band’s new album “Orogeny.”  “It was the story of this hunter who was trapped in the wilderness at the height of winter and things got worse and worse for him.  His will to survive and his hunter’s instinct helped him to overcome this hell and the album follows that.  It’s about overcoming the odds no matter how grim and the survival instinct we all have.”  Self-proclaimed Alaskan mountain metal Turbid North’s sound retains the galloping thrash of early 80’s period of bands like Metallica and Kreator, the technical and abrasive shredding of modern death metal and even moments of bluesy and flowing solos reminiscient of Randy Rhoades period Ozzy.  The songs are as epic as the storyline of the hunter and the fully painted artwork that adorns each page reflects the story.  The artwork was done by Alex Rydlinski (guitar) and even contains a lost touchstone of metal, the bad-ass mascot (see pic above) “We call him Snow Death” says Forkel, “he represents old man winter throwing everything he can to make the hunter fail.”

The story of Turbid North parallels the hunter as they both have a strong drive to survive and meet challenges.  The band started in North Pole, Alaska back in 2001 right near Fairbanks.  Original members Forkel, Rydlinski and his brother Adam Rydlinski (drums) were accomplished musicians with Adam even spending time in the Alaskan Symphony Orchestra.  “We quickly made it to the top of the Fairbanks metal scene” says Forkel “but there was really no where to go from there.”  Though big acts in the world of heavy music rarely came, when they did come Turbid North were selected as the opening band.  The group opened for Darkest Hour, Godsmack (twice), Adema and their show with Drowning Pool changed their lives.  “The guys in Drowning Pool watched us and said you guys are great but you’ll never make it if you stay here.  They told us that the scene in their home area of Dallas/Ft Worth Texas was great and that we could really make a name out there.”  The band worked full time as Lumber Jacks saving up all their money and a little over three years ago picked up and moved to Fort Worth, Texas.

The band entrenched themselves in the live music scene, making a sizeable dent in the Texas metal scene building a respectable audience.  Leaving their original bassist in Alaska, the band came to the attention of Chris O’Toole, who recently moved from the UK to Texas strangely enough.  O’Toole sent audition videos from the UK to the band and joined their ranks.  In 2009 the original vocalist left to return to Alaska and his replacement was Brian McCoy, ex vocalist of Debri, who won the Ozzfest Battle Of The Bands in 2008.  Today the band lives together in the same house where they recorded Orogeny in their home studio by Forkel.  They have done multiple regional tours through the Texas and surrounding areas playing with such artists as Goatwhore and Skeletonwitch.
The band plans to embark on another tour this fall and a video paralleling the album’s story is in the works.

Members:
Chris O’Toole – Bass
Nick Forkel – Guitar
Brian McCoy – Vocals
Alex Rydlinksi – Guitar
Adam Rydlinski – Drums

Discography
“Under the Eight” (2008)
“Orogeny” (2010)

Links
http://www.myspace.com/turbidnorth
MySpace
Facebook
Last.fm
Twitter

About Turbid North:

“I was reading a book of Alaskan survival stories and one of the stories struck me as an inspiration” Nick Forkel (guitar/vocal) of Turbid North relates the inspiration to the band’s new album “Orogeny.”  “It was the story of this hunter who was trapped in the wilderness at the height of winter and things got worse and worse for him.  His will to survive and his hunter’s instinct helped him to overcome this hell and the album follows that.  It’s about overcoming the odds no matter how grim and the survival instinct we all have.”  Self-proclaimed Alaskan mountain metal Turbid North’s sound retains the galloping thrash of early 80’s period of bands like Metallica and Kreator, the technical and abrasive shredding of modern death metal and even moments of bluesy and flowing solos reminiscient of Randy Rhoades period Ozzy.  The songs are as epic as the storyline of the hunter and the fully painted artwork that adorns each page reflects the story.  The artwork was done by Alex Rydlinski (guitar) and even contains a lost touchstone of metal, the bad-ass mascot (see pic above) “We call him Snow Death” says Forkel, “he represents old man winter throwing everything he can to make the hunter fail.”

The story of Turbid North parallels the hunter as they both have a strong drive to survive and meet challenges.  The band started in North Pole, Alaska back in 2001 right near Fairbanks.  Original members Forkel, Rydlinski and his brother Adam Rydlinski (drums) were accomplished musicians with Adam even spending time in the Alaskan Symphony Orchestra.  “We quickly made it to the top of the Fairbanks metal scene” says Forkel “but there was really no where to go from there.”  Though big acts in the world of heavy music rarely came, when they did come Turbid North were selected as the opening band.  The group opened for Darkest Hour, Godsmack (twice), Adema and their show with Drowning Pool changed their lives.  “The guys in Drowning Pool watched us and said you guys are great but you’ll never make it if you stay here.  They told us that the scene in their home area of Dallas/Ft Worth Texas was great and that we could really make a name out there.”  The band worked full time as Lumber Jacks saving up all their money and a little over three years ago picked up and moved to Fort Worth, Texas.

The band entrenched themselves in the live music scene, making a sizeable dent in the Texas metal scene building a respectable audience.  Leaving their original bassist in Alaska, the band came to the attention of Chris O’Toole, who recently moved from the UK to Texas strangely enough.  O’Toole sent audition videos from the UK to the band and joined their ranks.  In 2009 the original vocalist left to return to Alaska and his replacement was Brian McCoy, ex vocalist of Debri, who won the Ozzfest Battle Of The Bands in 2008.  Today the band lives together in the same house where they recorded Orogeny in their home studio by Forkel.  They have done multiple regional tours through the Texas and surrounding areas playing with such artists as Goatwhore and Skeletonwitch.
The band plans to embark on another tour this fall and a video paralleling the album’s story is in the works.

Members:
Chris O’Toole – Bass
Nick Forkel – Guitar
Brian McCoy – Vocals
Alex Rydlinksi – Guitar
Adam Rydlinski – Drums

Discography
“Under the Eight” (2008)
“Orogeny” (2010)

Links
http://www.myspace.com/turbidnorth
MySpace
Facebook
Last.fm
Twitter

Part 1. For the entire performance CLICK HERE

Stars of Nickelodeons hugely popular show The Naked Brothers Band, Nat & Alex Wolff are brothers, actors, and recording artists.  Nat and Alex have released two infectious rock albums – The Naked Brothers Band in 2007 and I Dont Want to Go to School in 2008– to wide acclaim and performed in front of thousands with their band.  Nat and Alex are the sons of actor and screenwriter Polly Draper and jazz pianist and composer Michael Wolff.  Nat was born on December 17, 1994 and Alex was born on November 1, 1997.

The brothers are currently in the studio working on their debut solo album.

http://www.natnalex.com/

Part 2. For the entire performance CLICK HERE

Stars of Nickelodeons hugely popular show The Naked Brothers Band, Nat & Alex Wolff are brothers, actors, and recording artists.  Nat and Alex have released two infectious rock albums – The Naked Brothers Band in 2007 and I Dont Want to Go to School in 2008– to wide acclaim and performed in front of thousands with their band.  Nat and Alex are the sons of actor and screenwriter Polly Draper and jazz pianist and composer Michael Wolff.  Nat was born on December 17, 1994 and Alex was born on November 1, 1997.

The brothers are currently in the studio working on their debut solo album.

http://www.natnalex.com/

Part 3. For the entire performance CLICK HERE

Stars of Nickelodeons hugely popular show The Naked Brothers Band, Nat & Alex Wolff are brothers, actors, and recording artists.  Nat and Alex have released two infectious rock albums – The Naked Brothers Band in 2007 and I Dont Want to Go to School in 2008– to wide acclaim and performed in front of thousands with their band.  Nat and Alex are the sons of actor and screenwriter Polly Draper and jazz pianist and composer Michael Wolff.  Nat was born on December 17, 1994 and Alex was born on November 1, 1997.

The brothers are currently in the studio working on their debut solo album.

http://www.natnalex.com/

Stars of Nickelodeons hugely popular show The Naked Brothers Band, Nat & Alex Wolff are brothers, actors, and recording artists.  Nat and Alex have released two infectious rock albums – The Naked Brothers Band in 2007 and I Dont Want to Go to School in 2008– to wide acclaim and performed in front of thousands with their band.  Nat and Alex are the sons of actor and screenwriter Polly Draper and jazz pianist and composer Michael Wolff.  Nat was born on December 17, 1994 and Alex was born on November 1, 1997.

The brothers are currently in the studio working on their debut solo album.

http://www.natnalex.com/

Part 1. For the full performance CLICK HERE

Website Facebook Twitter Myspace Flickr Youtube

Bringing a fresh, edgy vibe to mainstream pop and unafraid to boldly speak her mind, 18-year-old vocal powerhouse Manika is set to release her upcoming debut single “Just Can’t Let You Go” this May. Working with some of music industry’s highest caliber management, songwriting and production talent, Manika (pronounced Ma-NEE-ka) was discovered by Frank DiLeo, Michael Jackson’s long-time manager, and television personality and revered vocal performance coach CeCe Sammy (U.K.’s “Pop Idol”).

“Just Can’t Let You Go,” which Manika debuted live at the 2010 Hollywood Style Awards was written and produced by Tearce Kizzo and Francci (Keyshia Cole, Patti LaBelle, Adina Howard and JoJo). The duo is also working with Manika on numerous other tracks for the artist’s full length forthcoming debut album, alongside such heavy hitters as Qura Rankin and Evan Bogart (Beyonce, Rihanna, Leona Lewis, Natasha Bedingfield, Jennifer Lopez). Manika is also prepping for her debut tour later in 2011 with Travis Payne, best known for working with Michael Jackson as the choreographer for the proposed “This Is It” tour and the associate producer for the subsequent film “This Is It.”

Inspired by such artists as Avril Lavigne, Pink and Alanis Morrisette, Manika is working on modern Top 40 tracks with a rock edge featuring attitude and fiery rock guitars. Says Manika, “I’ve always loved both writing and songwriting,” she adds. “The journey is fascinating to me.

When I watch a live performance back on video, I think about how everything started from a simple emotion, feeling or story I wanted to tell. The next step is to play with song ideas, and then lay down instruments and vocals. Then it all takes shape and suddenly that simple spark has blossomed into something huge and powerful that people can enjoy.”

Manika—whose mixed heritage includes Filipino, Japanese, Chinese, Malaysian and Spanish–brings intelligence, wit and tons of emotional life experiences to her songs. Early on, she won the “Outstanding Performance Award” three years straight at the National Performing Arts Festival in New York City. At age 15, she wrote and published The Exciting Adventures of Boo, a fictional children’s book and donated proceeds from the first 750 copies to the Nevada SPCA animal shelter. Manika also participated in writing workshops for children and went to visited children’s hospitals to read it to young cancer patients and their families. These activities are just the beginning of the many philanthropic goals that Manika intends to pursue as her musical career takes off.

“When CeCe was first approached me I told her that I was fully committed to my music and performing career, and that is my passion… to me it’s always been about being an all around creative person. Both live and on studio recordings, there’s nothing more important to me than touching people with my music and connecting with them through the stories I’m privileged to tell.”

Part 2. For the full performance CLICK HERE

Website Facebook Twitter Myspace Flickr Youtube

Bringing a fresh, edgy vibe to mainstream pop and unafraid to boldly speak her mind, 18-year-old vocal powerhouse Manika is set to release her upcoming debut single “Just Can’t Let You Go” this May. Working with some of music industry’s highest caliber management, songwriting and production talent, Manika (pronounced Ma-NEE-ka) was discovered by Frank DiLeo, Michael Jackson’s long-time manager, and television personality and revered vocal performance coach CeCe Sammy (U.K.’s “Pop Idol”).

“Just Can’t Let You Go,” which Manika debuted live at the 2010 Hollywood Style Awards was written and produced by Tearce Kizzo and Francci (Keyshia Cole, Patti LaBelle, Adina Howard and JoJo). The duo is also working with Manika on numerous other tracks for the artist’s full length forthcoming debut album, alongside such heavy hitters as Qura Rankin and Evan Bogart (Beyonce, Rihanna, Leona Lewis, Natasha Bedingfield, Jennifer Lopez). Manika is also prepping for her debut tour later in 2011 with Travis Payne, best known for working with Michael Jackson as the choreographer for the proposed “This Is It” tour and the associate producer for the subsequent film “This Is It.”

Inspired by such artists as Avril Lavigne, Pink and Alanis Morrisette, Manika is working on modern Top 40 tracks with a rock edge featuring attitude and fiery rock guitars. Says Manika, “I’ve always loved both writing and songwriting,” she adds. “The journey is fascinating to me.

When I watch a live performance back on video, I think about how everything started from a simple emotion, feeling or story I wanted to tell. The next step is to play with song ideas, and then lay down instruments and vocals. Then it all takes shape and suddenly that simple spark has blossomed into something huge and powerful that people can enjoy.”

Manika—whose mixed heritage includes Filipino, Japanese, Chinese, Malaysian and Spanish–brings intelligence, wit and tons of emotional life experiences to her songs. Early on, she won the “Outstanding Performance Award” three years straight at the National Performing Arts Festival in New York City. At age 15, she wrote and published The Exciting Adventures of Boo, a fictional children’s book and donated proceeds from the first 750 copies to the Nevada SPCA animal shelter. Manika also participated in writing workshops for children and went to visited children’s hospitals to read it to young cancer patients and their families. These activities are just the beginning of the many philanthropic goals that Manika intends to pursue as her musical career takes off.

“When CeCe was first approached me I told her that I was fully committed to my music and performing career, and that is my passion… to me it’s always been about being an all around creative person. Both live and on studio recordings, there’s nothing more important to me than touching people with my music and connecting with them through the stories I’m privileged to tell.”

Bringing a fresh, edgy vibe to mainstream pop and unafraid to boldly speak her mind, 18-year-old vocal powerhouse Manika is set to release her upcoming debut single “Just Can’t Let You Go” this May. Working with some of music industry’s highest caliber management, songwriting and production talent, Manika (pronounced Ma-NEE-ka) was discovered by Frank DiLeo, Michael Jackson’s long-time manager, and television personality and revered vocal performance coach CeCe Sammy (U.K.’s “Pop Idol”).

“Just Can’t Let You Go,” which Manika debuted live at the 2010 Hollywood Style Awards was written and produced by Tearce Kizzo and Francci (Keyshia Cole, Patti LaBelle, Adina Howard and JoJo). The duo is also working with Manika on numerous other tracks for the artist’s full length forthcoming debut album, alongside such heavy hitters as Qura Rankin and Evan Bogart (Beyonce, Rihanna, Leona Lewis, Natasha Bedingfield, Jennifer Lopez). Manika is also prepping for her debut tour later in 2011 with Travis Payne, best known for working with Michael Jackson as the choreographer for the proposed “This Is It” tour and the associate producer for the subsequent film “This Is It.”

Inspired by such artists as Avril Lavigne, Pink and Alanis Morrisette, Manika is working on modern Top 40 tracks with a rock edge featuring attitude and fiery rock guitars. Says Manika, “I’ve always loved both writing and songwriting,” she adds. “The journey is fascinating to me.

When I watch a live performance back on video, I think about how everything started from a simple emotion, feeling or story I wanted to tell. The next step is to play with song ideas, and then lay down instruments and vocals. Then it all takes shape and suddenly that simple spark has blossomed into something huge and powerful that people can enjoy.”

Manika—whose mixed heritage includes Filipino, Japanese, Chinese, Malaysian and Spanish–brings intelligence, wit and tons of emotional life experiences to her songs. Early on, she won the “Outstanding Performance Award” three years straight at the National Performing Arts Festival in New York City. At age 15, she wrote and published The Exciting Adventures of Boo, a fictional children’s book and donated proceeds from the first 750 copies to the Nevada SPCA animal shelter. Manika also participated in writing workshops for children and went to visited children’s hospitals to read it to young cancer patients and their families. These activities are just the beginning of the many philanthropic goals that Manika intends to pursue as her musical career takes off.

“When CeCe was first approached me I told her that I was fully committed to my music and performing career, and that is my passion… to me it’s always been about being an all around creative person. Both live and on studio recordings, there’s nothing more important to me than touching people with my music and connecting with them through the stories I’m privileged to tell.”

For the entire performance CLICK HERE

Artist Summary

Artist Bio

"It begins when we cease to strive for the effect our causes, and simply open ourselves to one another to allow that which naturally gravitates to become one. That is the moment of creation. That is where we are born again in the experience of each other"
---------------------------------------------

It was August of 2008, in the peak of a California summer, when a seemingly serendipitous encounter between guitarist, Alex Zigo, and drummer, David Lall, took place. Casual at first, though both knew that there was something deeper waiting to be realized. In time it grew, with the introduction of bassist Dave Sahlem, culminating in their first EP, "Lacustrine Dream". While raw and unrefined, it was alive and only in it's first year. Now, coming to maturation with guitarist Daniel Escobedo, Scarlet Stoic is born once more with a new self-titled release and the best fruit still ripening. .

Check us out at:

For the entire performance CLICK HERE

Artist Summary

Artist Bio

"It begins when we cease to strive for the effect our causes, and simply open ourselves to one another to allow that which naturally gravitates to become one. That is the moment of creation. That is where we are born again in the experience of each other"
---------------------------------------------

It was August of 2008, in the peak of a California summer, when a seemingly serendipitous encounter between guitarist, Alex Zigo, and drummer, David Lall, took place. Casual at first, though both knew that there was something deeper waiting to be realized. In time it grew, with the introduction of bassist Dave Sahlem, culminating in their first EP, "Lacustrine Dream". While raw and unrefined, it was alive and only in it's first year. Now, coming to maturation with guitarist Daniel Escobedo, Scarlet Stoic is born once more with a new self-titled release and the best fruit still ripening. .

Check us out at:

For the entire performance CLICK HERE

Artist Summary

Artist Bio

"It begins when we cease to strive for the effect our causes, and simply open ourselves to one another to allow that which naturally gravitates to become one. That is the moment of creation. That is where we are born again in the experience of each other"
---------------------------------------------

It was August of 2008, in the peak of a California summer, when a seemingly serendipitous encounter between guitarist, Alex Zigo, and drummer, David Lall, took place. Casual at first, though both knew that there was something deeper waiting to be realized. In time it grew, with the introduction of bassist Dave Sahlem, culminating in their first EP, "Lacustrine Dream". While raw and unrefined, it was alive and only in it's first year. Now, coming to maturation with guitarist Daniel Escobedo, Scarlet Stoic is born once more with a new self-titled release and the best fruit still ripening. .

Check us out at:

Artist Summary

Artist Bio

"It begins when we cease to strive for the effect our causes, and simply open ourselves to one another to allow that which naturally gravitates to become one. That is the moment of creation. That is where we are born again in the experience of each other"
---------------------------------------------

It was August of 2008, in the peak of a California summer, when a seemingly serendipitous encounter between guitarist, Alex Zigo, and drummer, David Lall, took place. Casual at first, though both knew that there was something deeper waiting to be realized. In time it grew, with the introduction of bassist Dave Sahlem, culminating in their first EP, "Lacustrine Dream". While raw and unrefined, it was alive and only in it's first year. Now, coming to maturation with guitarist Daniel Escobedo, Scarlet Stoic is born once more with a new self-titled release and the best fruit still ripening. .

Check us out at:

 

The Hollywood Hills-born daughter of a cult filmmaker and sister of offbeat stand-up comedian Brent Weinbach, Laura grew up in a musical household that embraced eccentricity. Her next-door neighbors were circus contortionists with emus and fang-toothed monkeys as pets and her childhood activities included snail hunting and spying on celebrity neighbors like Slash, Ice-T and Larry from Perfect Strangers. While her mother, an accomplished pianist, taught the children piano, her father had a more unique approach to musical education:

“When I’d get in trouble as a kid, my father would punish me with cassette tapes,” Laura recalls. “He would make me mixes of all his favorite jazz singers like Billie Holiday, Blossom Dearie, June Kristie and Edith Piaf and tell me that if I could learn all these songs and sing them back to him just like they did on the recordings then I could go out and play with my friends. I’d run to my room and start memorizing. When I was done, I’d sing them all back to him through a little Pig Nose amplifier that we got at a garage sale.”

The method paid off. Much later, these same songs would form the core of Laura’s repertoire as she busked the streets of Paris, her home for half a year. Eight years of classical guitar training along with literature and music degrees from UC Santa Cruz were coming to fruition. Likewise, her off-beat childhood and post-graduate experiences as a substitute teacher would provide a wealth of ideas for compositions of her own.

Laura started Foxtails Brigade in 2006 with her friend, violinist Sivan Sadeh. She moved to San Francisco a year later, playing every club and street corner and she could find. It wasn’t long before the city started to notice. She quit her day job as a substitute teacher in 2009 and has been a full-time performer ever since, sharing stages with Faun Fables, Chris Garneau and Bart Davenport amongst others. She has collaborated with a number of talented musicians in Foxtails Brigade, including cellists Jen Grady (Emily Jane White, Adam Stevens), Robin Reynolds and Lewis Patzner (Mates of State, Tim Kasher), and multi-instrumentalist Joshua Pollock (Citay, Bob Saggeth). Her most recent musical partner is violinist and arranger Anton Patzner of Bright Eyes and Judgement Day.

 

The Hollywood Hills-born daughter of a cult filmmaker and sister of offbeat stand-up comedian Brent Weinbach, Laura grew up in a musical household that embraced eccentricity. Her next-door neighbors were circus contortionists with emus and fang-toothed monkeys as pets and her childhood activities included snail hunting and spying on celebrity neighbors like Slash, Ice-T and Larry from Perfect Strangers. While her mother, an accomplished pianist, taught the children piano, her father had a more unique approach to musical education:

“When I’d get in trouble as a kid, my father would punish me with cassette tapes,” Laura recalls. “He would make me mixes of all his favorite jazz singers like Billie Holiday, Blossom Dearie, June Kristie and Edith Piaf and tell me that if I could learn all these songs and sing them back to him just like they did on the recordings then I could go out and play with my friends. I’d run to my room and start memorizing. When I was done, I’d sing them all back to him through a little Pig Nose amplifier that we got at a garage sale.”

The method paid off. Much later, these same songs would form the core of Laura’s repertoire as she busked the streets of Paris, her home for half a year. Eight years of classical guitar training along with literature and music degrees from UC Santa Cruz were coming to fruition. Likewise, her off-beat childhood and post-graduate experiences as a substitute teacher would provide a wealth of ideas for compositions of her own.

Laura started Foxtails Brigade in 2006 with her friend, violinist Sivan Sadeh. She moved to San Francisco a year later, playing every club and street corner and she could find. It wasn’t long before the city started to notice. She quit her day job as a substitute teacher in 2009 and has been a full-time performer ever since, sharing stages with Faun Fables, Chris Garneau and Bart Davenport amongst others. She has collaborated with a number of talented musicians in Foxtails Brigade, including cellists Jen Grady (Emily Jane White, Adam Stevens), Robin Reynolds and Lewis Patzner (Mates of State, Tim Kasher), and multi-instrumentalist Joshua Pollock (Citay, Bob Saggeth). Her most recent musical partner is violinist and arranger Anton Patzner of Bright Eyes and Judgement Day.

 

The Hollywood Hills-born daughter of a cult filmmaker and sister of offbeat stand-up comedian Brent Weinbach, Laura grew up in a musical household that embraced eccentricity. Her next-door neighbors were circus contortionists with emus and fang-toothed monkeys as pets and her childhood activities included snail hunting and spying on celebrity neighbors like Slash, Ice-T and Larry from Perfect Strangers. While her mother, an accomplished pianist, taught the children piano, her father had a more unique approach to musical education:

“When I’d get in trouble as a kid, my father would punish me with cassette tapes,” Laura recalls. “He would make me mixes of all his favorite jazz singers like Billie Holiday, Blossom Dearie, June Kristie and Edith Piaf and tell me that if I could learn all these songs and sing them back to him just like they did on the recordings then I could go out and play with my friends. I’d run to my room and start memorizing. When I was done, I’d sing them all back to him through a little Pig Nose amplifier that we got at a garage sale.”

The method paid off. Much later, these same songs would form the core of Laura’s repertoire as she busked the streets of Paris, her home for half a year. Eight years of classical guitar training along with literature and music degrees from UC Santa Cruz were coming to fruition. Likewise, her off-beat childhood and post-graduate experiences as a substitute teacher would provide a wealth of ideas for compositions of her own.

Laura started Foxtails Brigade in 2006 with her friend, violinist Sivan Sadeh. She moved to San Francisco a year later, playing every club and street corner and she could find. It wasn’t long before the city started to notice. She quit her day job as a substitute teacher in 2009 and has been a full-time performer ever since, sharing stages with Faun Fables, Chris Garneau and Bart Davenport amongst others. She has collaborated with a number of talented musicians in Foxtails Brigade, including cellists Jen Grady (Emily Jane White, Adam Stevens), Robin Reynolds and Lewis Patzner (Mates of State, Tim Kasher), and multi-instrumentalist Joshua Pollock (Citay, Bob Saggeth). Her most recent musical partner is violinist and arranger Anton Patzner of Bright Eyes and Judgement Day.

For the entire performance CLICK HERE

For the entire performance CLICK HERE

For the entire performance CLICK HERE

Ari Shine is quickly becoming the singer/songwriter to watch in 2011. He plays roosty rock with an eye for lyrical detail and an ear for classic pop song-craft. The heartfelt melodies and unfiltered lyrics he delivers retain the same unabashed hooks and energy whether in solo acoustic performance or with full band backing. After a number of critically acclaimed releases which earned him praise in such sources as the Village Voice, The Los Angeles Times and even from legendary Rolling Stones producer Andrew Loog Oldham, Ari has arrived with his most personal and versatile batch of tunes.

Speaking on the creation of his new album Ghost Town Directory(Beverly Martel) Shine says “My last album A Force Of One was purposely going after a classic late 70’s power pop sound, even going so far as to use veteran producer Earle Mankey (Sparks, Beach Boys, Concrete Blonde) to recreate the vibe of that era. I did a ton of touring after that album, much of which was solo acoustic shows and I decided that before I recorded my new album I was just going to write songs on my acoustic guitar not geared toward any specific genre; just songs that worked by themselves without outside adornment.” 

When it came time to record the music, Shine linked up with good friend and noted producer Noah Shain, fresh off work with acts like As Tall As Lions, Me Talk Pretty and The Secret Handshake. The results feature a wide screen sound which give Shine’s already anthemic tunes a radio ready sheen. Gutsy rockers like the opening “All I’ve Got is Love” (co-written with Shine’s wife Adrienne Pierce, also a noted performer) and the hometown kiss-off “Against the Night” mingle with more atmospheric tracks like “Here With Me” and “Simple”, the latter featuring rich pads of harmonies in a decidedly 70s vein. Though he tackled all the instruments and vocals during the sessions, drums were handled by LA traps master Chris Cano, best known for his work in another Shain produced project Orson, as well as hip hop/Latin rock road warriors Ozomatli.

Shine has racked up plenty of miles himself through the U.S., U.K. and Canada, opening for artists like Rhett Miller, John Doe, Hugh Cornwell of The Stranglers, Redd Kross, Silversun Pickups, The Donnas, Liam Finn and many others. Most recently Ari was handpicked to support Chris Shiflett of the Foo Fighters on his entire summer 2010 solo tour. “I’m proud of how much I’ve toured over the past few years. The wide range of artists I have played with has really helped me grow as a performer and as a writer. It’s a testament to the strength of the songs when you can just strap on a guitar and play to an audience who have come for an entirely different style of music and have them leave as fans.”

While Shine has built his songwriting skills and performance chops playing in live bands since the age of 15, in recent years he has become a go to songwriter for buzz acts and established artists alike. Some of his notable co-writes include tracks on albums by The Secret Handshake, Josie Cotton, Gaby Moreno, Into the Presence and Thousand Watt Stare.

For the entire performance CLICK HERE

WEBSITE       FACEBOOK      MYSPACE

BIO:

Here's my story. I'm sticking to it. So listen up.

I grew up in the deep, deep south where we eat fried catfish and grits and drink sweet tea -- not iced tea, sweetened -- but sweet tea. It is basically one word, split into two for you non-southerners.

My barbie dolls sang musicals, and I sang along with the various pop princesses of the time -- Tiffany, Paula, Janet, Madonna -- dancing around the living room with my friends. I also liked to climb trees, create secret clubs with the neighborhood kids, and sell seashells from the driveway.

Fast forward to 1999: I took my little Yamaha off to college, to the mini-music-mecca of Athens, GA, where I met a friend who helped me form my first band. Terrified and shy and lacking confidence, I played some open mics and my very first full-band shows to responsive crowds. For the very first time in my life, I felt like I knew where my place was in the world. After a couple years, I made my first album and built up a little following.

In the fall of 2004, I sold my stuff at a flea market and headed west. It was the best decision of my life. I started up my own band again - lucking out by finding Mike Stevens and John Howland. It was like reuniting with old friends. We meshed together like peanut butter and jelly and wonderbread. We played around the bay area, as an acoustic trio, eventually landing at Ex'pressions College for Digital Arts to record a demo we could sell at our shows. Here we met Jack Douglas (a producer with an impressive resume, including Aerosmith, John Lennon, Patti Smith, the Who). Seriously. He's even on wikipedia. Jack took an immediate liking to us, and sent us on to local producer Jim Greer, who adopted us like stray kittens. Hungry stray kittens.

After mixing our Expressions demo and getting to know us a bit, Jim decided to sign us to his local label, Fortune Records, and record a real full-length album. He helped transform our little baby songs into grown up songs, and in March of 2008, we had the experience of a lifetime, recording our album "The Night Turned to Song" in Caspar, California - in a studio by the sea. That album led us to be included on the bay area KFOG's Local Scene 5 CD and featured on their morning show, in addition to being played on Americana radio across the U.S. and Europe. We played San Fran's HUGE Hardly Strictly Bluegrass Festival in October '08 and the Gilroy Garlic Festival in '09 (over 100,000 attendees!).

2010 began with the recording of our 2nd album together "From the Echo," back again at Old School Studios in Caspar. It's an album about freedom and release and moving away from the things that hold us back toward the things that give us hope. Real life stuff, folks.

For the entire performance CLICK HERE

WEBSITE       FACEBOOK      MYSPACE

BIO:

Here's my story. I'm sticking to it. So listen up.

I grew up in the deep, deep south where we eat fried catfish and grits and drink sweet tea -- not iced tea, sweetened -- but sweet tea. It is basically one word, split into two for you non-southerners.

My barbie dolls sang musicals, and I sang along with the various pop princesses of the time -- Tiffany, Paula, Janet, Madonna -- dancing around the living room with my friends. I also liked to climb trees, create secret clubs with the neighborhood kids, and sell seashells from the driveway.

Fast forward to 1999: I took my little Yamaha off to college, to the mini-music-mecca of Athens, GA, where I met a friend who helped me form my first band. Terrified and shy and lacking confidence, I played some open mics and my very first full-band shows to responsive crowds. For the very first time in my life, I felt like I knew where my place was in the world. After a couple years, I made my first album and built up a little following.

In the fall of 2004, I sold my stuff at a flea market and headed west. It was the best decision of my life. I started up my own band again - lucking out by finding Mike Stevens and John Howland. It was like reuniting with old friends. We meshed together like peanut butter and jelly and wonderbread. We played around the bay area, as an acoustic trio, eventually landing at Ex'pressions College for Digital Arts to record a demo we could sell at our shows. Here we met Jack Douglas (a producer with an impressive resume, including Aerosmith, John Lennon, Patti Smith, the Who). Seriously. He's even on wikipedia. Jack took an immediate liking to us, and sent us on to local producer Jim Greer, who adopted us like stray kittens. Hungry stray kittens.

After mixing our Expressions demo and getting to know us a bit, Jim decided to sign us to his local label, Fortune Records, and record a real full-length album. He helped transform our little baby songs into grown up songs, and in March of 2008, we had the experience of a lifetime, recording our album "The Night Turned to Song" in Caspar, California - in a studio by the sea. That album led us to be included on the bay area KFOG's Local Scene 5 CD and featured on their morning show, in addition to being played on Americana radio across the U.S. and Europe. We played San Fran's HUGE Hardly Strictly Bluegrass Festival in October '08 and the Gilroy Garlic Festival in '09 (over 100,000 attendees!).

2010 began with the recording of our 2nd album together "From the Echo," back again at Old School Studios in Caspar. It's an album about freedom and release and moving away from the things that hold us back toward the things that give us hope. Real life stuff, folks.

For the entire performance CLICK HERE

WEBSITE       FACEBOOK      MYSPACE

BIO:

Here's my story. I'm sticking to it. So listen up.

I grew up in the deep, deep south where we eat fried catfish and grits and drink sweet tea -- not iced tea, sweetened -- but sweet tea. It is basically one word, split into two for you non-southerners.

My barbie dolls sang musicals, and I sang along with the various pop princesses of the time -- Tiffany, Paula, Janet, Madonna -- dancing around the living room with my friends. I also liked to climb trees, create secret clubs with the neighborhood kids, and sell seashells from the driveway.

Fast forward to 1999: I took my little Yamaha off to college, to the mini-music-mecca of Athens, GA, where I met a friend who helped me form my first band. Terrified and shy and lacking confidence, I played some open mics and my very first full-band shows to responsive crowds. For the very first time in my life, I felt like I knew where my place was in the world. After a couple years, I made my first album and built up a little following.

In the fall of 2004, I sold my stuff at a flea market and headed west. It was the best decision of my life. I started up my own band again - lucking out by finding Mike Stevens and John Howland. It was like reuniting with old friends. We meshed together like peanut butter and jelly and wonderbread. We played around the bay area, as an acoustic trio, eventually landing at Ex'pressions College for Digital Arts to record a demo we could sell at our shows. Here we met Jack Douglas (a producer with an impressive resume, including Aerosmith, John Lennon, Patti Smith, the Who). Seriously. He's even on wikipedia. Jack took an immediate liking to us, and sent us on to local producer Jim Greer, who adopted us like stray kittens. Hungry stray kittens.

After mixing our Expressions demo and getting to know us a bit, Jim decided to sign us to his local label, Fortune Records, and record a real full-length album. He helped transform our little baby songs into grown up songs, and in March of 2008, we had the experience of a lifetime, recording our album "The Night Turned to Song" in Caspar, California - in a studio by the sea. That album led us to be included on the bay area KFOG's Local Scene 5 CD and featured on their morning show, in addition to being played on Americana radio across the U.S. and Europe. We played San Fran's HUGE Hardly Strictly Bluegrass Festival in October '08 and the Gilroy Garlic Festival in '09 (over 100,000 attendees!).

2010 began with the recording of our 2nd album together "From the Echo," back again at Old School Studios in Caspar. It's an album about freedom and release and moving away from the things that hold us back toward the things that give us hope. Real life stuff, folks.

WEBSITE       FACEBOOK      MYSPACE

BIO:

Here's my story. I'm sticking to it. So listen up.

I grew up in the deep, deep south where we eat fried catfish and grits and drink sweet tea -- not iced tea, sweetened -- but sweet tea. It is basically one word, split into two for you non-southerners.

My barbie dolls sang musicals, and I sang along with the various pop princesses of the time -- Tiffany, Paula, Janet, Madonna -- dancing around the living room with my friends. I also liked to climb trees, create secret clubs with the neighborhood kids, and sell seashells from the driveway.

Fast forward to 1999: I took my little Yamaha off to college, to the mini-music-mecca of Athens, GA, where I met a friend who helped me form my first band. Terrified and shy and lacking confidence, I played some open mics and my very first full-band shows to responsive crowds. For the very first time in my life, I felt like I knew where my place was in the world. After a couple years, I made my first album and built up a little following.

In the fall of 2004, I sold my stuff at a flea market and headed west. It was the best decision of my life. I started up my own band again - lucking out by finding Mike Stevens and John Howland. It was like reuniting with old friends. We meshed together like peanut butter and jelly and wonderbread. We played around the bay area, as an acoustic trio, eventually landing at Ex'pressions College for Digital Arts to record a demo we could sell at our shows. Here we met Jack Douglas (a producer with an impressive resume, including Aerosmith, John Lennon, Patti Smith, the Who). Seriously. He's even on wikipedia. Jack took an immediate liking to us, and sent us on to local producer Jim Greer, who adopted us like stray kittens. Hungry stray kittens.

After mixing our Expressions demo and getting to know us a bit, Jim decided to sign us to his local label, Fortune Records, and record a real full-length album. He helped transform our little baby songs into grown up songs, and in March of 2008, we had the experience of a lifetime, recording our album "The Night Turned to Song" in Caspar, California - in a studio by the sea. That album led us to be included on the bay area KFOG's Local Scene 5 CD and featured on their morning show, in addition to being played on Americana radio across the U.S. and Europe. We played San Fran's HUGE Hardly Strictly Bluegrass Festival in October '08 and the Gilroy Garlic Festival in '09 (over 100,000 attendees!).

2010 began with the recording of our 2nd album together "From the Echo," back again at Old School Studios in Caspar. It's an album about freedom and release and moving away from the things that hold us back toward the things that give us hope. Real life stuff, folks.

For the entire performance CLICK HERE

FACEBOOK     MYSPACE

For the entire performance CLICK HERE

FACEBOOK     MYSPACE

For the entire performance CLICK HERE

FACEBOOK     MYSPACE

FACEBOOK     MYSPACE

The Mick Donovan Band is a new AC/Rock/Christian Band formed by Michael"Mick" Donovan and Chris Sfarzo formerly of the Bay Area Hard Rock Band LIQUID. New Guitarist Erik Ezrin and Bassist John Walden have since joined the group.

For the entire performance CLICK HERE

WEBSITE    FACEBOOK   MYSPACE   TWITTER

Lelia in her own words:

- i was an egg, then i was fertilized, then i was born.

- first concert, paul simon age 3 the cajun dome in Lafayette Louisiana. cool

- Cajun Dome again, age 6, I sang Patsy Cline’s “Crazy” in front of 15,000 people, they cheered, that was cooler

- sang incessantly all through childhood, annoyed the crap out of my mother

- i once had 15 cats.creepy right?

- the first song i wrote was about my orthodontist

- recorded my first record in Philadelphia, Pennsylvania

- moved to new york when i was 17

- waited tables, got fired for yelling at my boss (he was a special kind of douche)

- i’ve been an under paid full time musician ever since.

- started working with writer and producer rob fusari (of bootylicious and now miz lady gaga fame)

- toured extensively throughout the US

- signed a publishing deal with Rondor Universal Music Group

- moved to Los Angeles, California

- met Snoop Dogg (I like to call him Mr. Dogg) at the Grammy’s (did I say met? I mean I saw him)

- wrote wrote wrote

- recorded Waiting On The 9 with producer, Dave Trumfio (Wilco, My Morning Jacket, Built to Spill)

- Wrote a song about a sad robot in love called “Satellite”

- Another Record “Masquerade” with Dan Romer, producer extraordinaire coming out Nov 2nd 2010

- On Tour everywhere 2010/2011

For the entire performance CLICK HERE

WEBSITE    FACEBOOK   MYSPACE   TWITTER

Lelia in her own words:

- i was an egg, then i was fertilized, then i was born.

- first concert, paul simon age 3 the cajun dome in Lafayette Louisiana. cool

- Cajun Dome again, age 6, I sang Patsy Cline’s “Crazy” in front of 15,000 people, they cheered, that was cooler

- sang incessantly all through childhood, annoyed the crap out of my mother

- i once had 15 cats.creepy right?

- the first song i wrote was about my orthodontist

- recorded my first record in Philadelphia, Pennsylvania

- moved to new york when i was 17

- waited tables, got fired for yelling at my boss (he was a special kind of douche)

- i’ve been an under paid full time musician ever since.

- started working with writer and producer rob fusari (of bootylicious and now miz lady gaga fame)

- toured extensively throughout the US

- signed a publishing deal with Rondor Universal Music Group

- moved to Los Angeles, California

- met Snoop Dogg (I like to call him Mr. Dogg) at the Grammy’s (did I say met? I mean I saw him)

- wrote wrote wrote

- recorded Waiting On The 9 with producer, Dave Trumfio (Wilco, My Morning Jacket, Built to Spill)

- Wrote a song about a sad robot in love called “Satellite”

- Another Record “Masquerade” with Dan Romer, producer extraordinaire coming out Nov 2nd 2010

- On Tour everywhere 2010/2011

WEBSITE    FACEBOOK   MYSPACE   TWITTER

Lelia in her own words:

- i was an egg, then i was fertilized, then i was born.

- first concert, paul simon age 3 the cajun dome in Lafayette Louisiana. cool

- Cajun Dome again, age 6, I sang Patsy Cline’s “Crazy” in front of 15,000 people, they cheered, that was cooler

- sang incessantly all through childhood, annoyed the crap out of my mother

- i once had 15 cats.creepy right?

- the first song i wrote was about my orthodontist

- recorded my first record in Philadelphia, Pennsylvania

- moved to new york when i was 17

- waited tables, got fired for yelling at my boss (he was a special kind of douche)

- i’ve been an under paid full time musician ever since.

- started working with writer and producer rob fusari (of bootylicious and now miz lady gaga fame)

- toured extensively throughout the US

- signed a publishing deal with Rondor Universal Music Group

- moved to Los Angeles, California

- met Snoop Dogg (I like to call him Mr. Dogg) at the Grammy’s (did I say met? I mean I saw him)

- wrote wrote wrote

- recorded Waiting On The 9 with producer, Dave Trumfio (Wilco, My Morning Jacket, Built to Spill)

- Wrote a song about a sad robot in love called “Satellite”

- Another Record “Masquerade” with Dan Romer, producer extraordinaire coming out Nov 2nd 2010

- On Tour everywhere 2010/2011

For the entire performance CLICK HERE

MYSPACE FACEBOOK

Out For Blood is a five piece metal band from San Francisco who's main purpose is to make the bay area music scene brutal once more.......let's put a smile on that face! ..

For the entire performance CLICK HERE

MYSPACE FACEBOOK

Out For Blood is a five piece metal band from San Francisco who's main purpose is to make the bay area music scene brutal once more.......let's put a smile on that face! ..

For the entire performance CLICK HERE

MYSPACE FACEBOOK

Out For Blood is a five piece metal band from San Francisco who's main purpose is to make the bay area music scene brutal once more.......let's put a smile on that face! ..

 San Francisco Metal Band Out For Blood performs live in Studio B of Mevio

MYSPACE FACEBOOK

Out For Blood is a five piece metal band from San Francisco who's main purpose is to make the bay area music scene brutal once more.......let's put a smile on that face! ..

For the entire performance CLICK HERE

MYSPACE    WEBSITE 

Jay is one of the founders of Soulmine, a Bay Area indie house label and recording studio established in 1999, and Music Director at Temple SF, San Francisco's largest nightclub. You can also find him recording at Moulton Studios as one of the members of 40 Thieves, touring with his bands Spigga and Playground People, producing artists at Temple Studios SF, performing live keys for a Paul Hemming DJ set, or recording a session for someone else's next big hit.

Upcoming work by JasWho? includes his highly anticipated full length, NUDROID (Fall 2010), a new single with singer, Isabel Lozano, entitled Mixed Up for their new collaboration, Kumma for Temple Music Group (Fall 2010), See Ya Dancing with 40 Thieves on Permanent Vacation (Fall 2010). Recent releases include the 2 recent hit singles Candycane and Wake Up Call (featuring Chloe) for Temple Music Group; Williams performed, produced or co-produced every track on the recently released Prana compilation also on TMG; More recent releases include Ladies on Soulmine Records; The JasWho? EP on Electric Zen Music; Johnny Dynell Jam Hot (40 Thieves Remix) for Smash Hit Music; Karsh Kale’s Beautiful Remix for 6 Degrees Recordings; Peter Bjorn and John’s Young Folks Black (Wangz Remix) for Energy 92.7 FM with co-TMG DJ/producer, DJ Durben (aka Ben Tom); Mash It Up Live Version and Studio Mix on Amfibius Recordings. Other places to find JasWho music?: OM Records, Rong/DFA, Tu Rong, Grayhound Recordings, Output Recordings, Coco Machete Records, Imperial DUB, 6 Degrees, Stranger Music, Transistor Rhythm, Redux Records, Hector Works, Music Mine (Japan), Jah Love Recordings, Verdad y Justicia, Supermercado Recordings.

For the entire performance CLICK HERE

MYSPACE    WEBSITE 

Jay is one of the founders of Soulmine, a Bay Area indie house label and recording studio established in 1999, and Music Director at Temple SF, San Francisco's largest nightclub. You can also find him recording at Moulton Studios as one of the members of 40 Thieves, touring with his bands Spigga and Playground People, producing artists at Temple Studios SF, performing live keys for a Paul Hemming DJ set, or recording a session for someone else's next big hit.

Upcoming work by JasWho? includes his highly anticipated full length, NUDROID (Fall 2010), a new single with singer, Isabel Lozano, entitled Mixed Up for their new collaboration, Kumma for Temple Music Group (Fall 2010), See Ya Dancing with 40 Thieves on Permanent Vacation (Fall 2010). Recent releases include the 2 recent hit singles Candycane and Wake Up Call (featuring Chloe) for Temple Music Group; Williams performed, produced or co-produced every track on the recently released Prana compilation also on TMG; More recent releases include Ladies on Soulmine Records; The JasWho? EP on Electric Zen Music; Johnny Dynell Jam Hot (40 Thieves Remix) for Smash Hit Music; Karsh Kale’s Beautiful Remix for 6 Degrees Recordings; Peter Bjorn and John’s Young Folks Black (Wangz Remix) for Energy 92.7 FM with co-TMG DJ/producer, DJ Durben (aka Ben Tom); Mash It Up Live Version and Studio Mix on Amfibius Recordings. Other places to find JasWho music?: OM Records, Rong/DFA, Tu Rong, Grayhound Recordings, Output Recordings, Coco Machete Records, Imperial DUB, 6 Degrees, Stranger Music, Transistor Rhythm, Redux Records, Hector Works, Music Mine (Japan), Jah Love Recordings, Verdad y Justicia, Supermercado Recordings.

For the entire performance CLICK HERE

MYSPACE    WEBSITE 

Jay is one of the founders of Soulmine, a Bay Area indie house label and recording studio established in 1999, and Music Director at Temple SF, San Francisco's largest nightclub. You can also find him recording at Moulton Studios as one of the members of 40 Thieves, touring with his bands Spigga and Playground People, producing artists at Temple Studios SF, performing live keys for a Paul Hemming DJ set, or recording a session for someone else's next big hit.

Upcoming work by JasWho? includes his highly anticipated full length, NUDROID (Fall 2010), a new single with singer, Isabel Lozano, entitled Mixed Up for their new collaboration, Kumma for Temple Music Group (Fall 2010), See Ya Dancing with 40 Thieves on Permanent Vacation (Fall 2010). Recent releases include the 2 recent hit singles Candycane and Wake Up Call (featuring Chloe) for Temple Music Group; Williams performed, produced or co-produced every track on the recently released Prana compilation also on TMG; More recent releases include Ladies on Soulmine Records; The JasWho? EP on Electric Zen Music; Johnny Dynell Jam Hot (40 Thieves Remix) for Smash Hit Music; Karsh Kale’s Beautiful Remix for 6 Degrees Recordings; Peter Bjorn and John’s Young Folks Black (Wangz Remix) for Energy 92.7 FM with co-TMG DJ/producer, DJ Durben (aka Ben Tom); Mash It Up Live Version and Studio Mix on Amfibius Recordings. Other places to find JasWho music?: OM Records, Rong/DFA, Tu Rong, Grayhound Recordings, Output Recordings, Coco Machete Records, Imperial DUB, 6 Degrees, Stranger Music, Transistor Rhythm, Redux Records, Hector Works, Music Mine (Japan), Jah Love Recordings, Verdad y Justicia, Supermercado Recordings.

MYSPACE    WEBSITE 

Jay is one of the founders of Soulmine, a Bay Area indie house label and recording studio established in 1999, and Music Director at Temple SF, San Francisco's largest nightclub. You can also find him recording at Moulton Studios as one of the members of 40 Thieves, touring with his bands Spigga and Playground People, producing artists at Temple Studios SF, performing live keys for a Paul Hemming DJ set, or recording a session for someone else's next big hit.

Upcoming work by JasWho? includes his highly anticipated full length, NUDROID (Fall 2010), a new single with singer, Isabel Lozano, entitled Mixed Up for their new collaboration, Kumma for Temple Music Group (Fall 2010), See Ya Dancing with 40 Thieves on Permanent Vacation (Fall 2010). Recent releases include the 2 recent hit singles Candycane and Wake Up Call (featuring Chloe) for Temple Music Group; Williams performed, produced or co-produced every track on the recently released Prana compilation also on TMG; More recent releases include Ladies on Soulmine Records; The JasWho? EP on Electric Zen Music; Johnny Dynell Jam Hot (40 Thieves Remix) for Smash Hit Music; Karsh Kale’s Beautiful Remix for 6 Degrees Recordings; Peter Bjorn and John’s Young Folks Black (Wangz Remix) for Energy 92.7 FM with co-TMG DJ/producer, DJ Durben (aka Ben Tom); Mash It Up Live Version and Studio Mix on Amfibius Recordings. Other places to find JasWho music?: OM Records, Rong/DFA, Tu Rong, Grayhound Recordings, Output Recordings, Coco Machete Records, Imperial DUB, 6 Degrees, Stranger Music, Transistor Rhythm, Redux Records, Hector Works, Music Mine (Japan), Jah Love Recordings, Verdad y Justicia, Supermercado Recordings.